Text and Image in Dickens: Falling Women, Faceless Women

In this article I look at the collaboration between Dickens and his greatest illustrator, Hablot K. Browne (Phiz), in Dombey and Son, David Copperfield , and especially Bleak House . In these works, text and image cluster around themes of fallen sexuality, feminine transgression, and the problematic identity of woman as both protagonist and narrator or author. I argue that Browne’s illustrations offer not a counternarrative to Dickens’s but a submerged one, especially in relation to controversial or taboo material. The text and plates work in unison to make manifest what might be present but only subtly telegraphed by Dickens’s words. My piece culminates in speculation about Dickens’s creation of the first-person narrator, Esther Summerson, in Bleak House : was Dickens responding to the proliferation of women-authored texts and women narrators? And were Dickens and Browne signaling in repeated depictions of a faceless Esther that the sex and identity of authorship were mysterious and unsettlingly mutable?