Syurga di Telapak Kaki Ibu (Melayu Nusantara)

The musical work “Syurga di Telapak Kaki Ibu” is a rearrangement of the Malay song composed by S. Effendi in 1990 and popularized by Aishah. This work highlights moral and religious values about honoring mothers. The purpose of this study is to describe the creative process of rearranging “Syurga di Telapak Kaki Ibu” using the rentak langgam format characteristic of Malay music. A descriptive–qualitative approach with a work-study method was employed. Data were collected through observation, literature review, and the composer’s five-month practice. The results show a new arrangement featuring a mournful melody, flowing harmonies, and the application of ornamentation techniques such as cengkok and grenek on melodic instruments (gambus oud, sape, bamboo flute, violin, accordion). The arrangement is structured in intro, verse, interlude, verse, interlude, and coda to create more varied emotional nuances while preserving the original essence of the song. This work is expected to strengthen the existence of classic Malay songs in the era of modern music and serve as a reference for students and traditional music practitioners in creating innovative works based on cultural heritage.

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Publication Details

Journal
Misterius
Published
2025-09-30
DOI
https://doi.org/10.62383/misterius.v2i3.931
Primary Topic
Livestock Farming and Management
Type
article
Field-Weighted Citation Impact
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article

Syurga di Telapak Kaki Ibu (Melayu Nusantara)

Uswatul Hakim, Wisnu Zikrul Liandi
Misterius
Livestock Farming and Management
article

Syurga di Telapak Kaki Ibu (Melayu Nusantara)

Uswatul Hakim, Wisnu Zikrul Liandi
article en

Abstract

The musical work “Syurga di Telapak Kaki Ibu” is a rearrangement of the Malay song composed by S. Effendi in 1990 and popularized by Aishah. This work highlights moral and religious values about honoring mothers. The purpose of this study is to describe the creative process of rearranging “Syurga di Telapak Kaki Ibu” using the rentak langgam format characteristic of Malay music. A descriptive–qualitative approach with a work-study method was employed. Data were collected through observation, literature review, and the composer’s five-month practice. The results show a new arrangement featuring a mournful melody, flowing harmonies, and the application of ornamentation techniques such as cengkok and grenek on melodic instruments (gambus oud, sape, bamboo flute, violin, accordion). The arrangement is structured in intro, verse, interlude, verse, interlude, and coda to create more varied emotional nuances while preserving the original essence of the song. This work is expected to strengthen the existence of classic Malay songs in the era of modern music and serve as a reference for students and traditional music practitioners in creating innovative works based on cultural heritage.

MisteriusVol. 2(3)
State University of Padang (ID)
Openalex Percentile: Top 63%
Livestock Farming and Management
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Syurga di Telapak Kaki Ibu (Melayu Nusantara) — Uswatul Hakim, Wisnu Zikrul Liandi · Misterius (2025) | TGRS Research Map | TGRS