A Socialist-Feminist Discussion on Women’s Oppression: Circus Valentine as a Case Study

Introduction: Feminism focuses on the subordination of women within patriarchal societies. Socialist-feminism links women’s oppression to historical, social, and psychological factors. It states that a radical change is needed for liberation, which should begin with overthrowing capitalism. This study analyzes Circus Valentine by Norman from a socialist-feminist view. The play discusses that the suffering of women is connected to capitalism and patriarchy. Method: This study employs socialist-feminism to examine Circus Valentine. The methodology combines textual analysis with socio-historical contextualization. Key characters, dialogues, and plot are examined to uncover how gender, class, and ethnic identities intersect with systemic oppression. Historical documents, feminism, and Marxism provide a framework to interpret social dynamics within the play. Particular attention is given to patterns of labor, authority, and family structures, as well as the ways capitalist and patriarchal systems shape individual and collective experiences. The analysis is conducted by mapping textual elements onto theoretical constructs, allowing for a nuanced understanding of oppression in fictional and broader socio-economic context. Results or Findings: In Circus Valentine, victimization of women is rooted in history, culture, and society. Since women’s experiences reflect the struggles of workers, minority and ethnic groups, they remain controlled by capitalism and patriarchy. Discussion or Conclusion: Circus Valentine highlights the oppression faced both by women and by certain social classes and groups. Capitalism cannot be eliminated by women alone. To challenge capitalism, a movement involving all oppressed groups is necessary. The solution for the suffering of people lies in creating a classless society.