Figuring And Disfiguring: Audience Participation In Qur’anic Exegesis on Instagram

This study examines how audience participation on Instagram shapes the dynamics of digital interpretation, particularly through the processes of figuring (affirming meaning) and disfiguring (reinterpretation or critique) in comments on Quranic verse posts. The research is motivated by the shifting paradigm of religious authority in the social media era, where interpretation is no longer monopolized by authoritative figures but openly negotiated and contested by users. The study focuses on two public accounts: @ismaelalkholilie, representing a sufistic-affective style, and @nadirsyahhosen, reflecting a contextual-critical approach. Using a descriptive qualitative method and digital hermeneutics, data were collected through online observation, caption documentation, and analysis of comments on two posts (January–May 2025). Findings show that audiences are active co-interpreters rather than passive recipients. Comments on Ismael’s account are mainly affective and affirm spiritual narratives, while those on Nadirsyah’s account are more reflective, intellectual, and critical. Digital interpretation thus emerges as dialogical, decentralized, and shaped by audience participation.

Authors

Institutions

Publication Details

Journal
Journal of Asian Wisdom and Islamic Behavior
Published
2025-09-28
DOI
https://doi.org/10.59371/jawab.v3i2.97
Primary Topic
Media, Religion, Digital Communication
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Figuring And Disfiguring: Audience Participation In Qur’anic Exegesis on Instagram

Naili Rosa Urbah Rusydiana, Mohammad Afri Muadom, Melynia Rosyada, Marwa Mar’atus Sholiha
Journal of Asian Wisdom and Islamic Behavior
Media, Religion, Digital Communication
article

Figuring And Disfiguring: Audience Participation In Qur’anic Exegesis on Instagram

Naili Rosa Urbah Rusydiana, Mohammad Afri Muadom, Melynia Rosyada, Marwa Mar’atus Sholiha
article en

Abstract

This study examines how audience participation on Instagram shapes the dynamics of digital interpretation, particularly through the processes of figuring (affirming meaning) and disfiguring (reinterpretation or critique) in comments on Quranic verse posts. The research is motivated by the shifting paradigm of religious authority in the social media era, where interpretation is no longer monopolized by authoritative figures but openly negotiated and contested by users. The study focuses on two public accounts: @ismaelalkholilie, representing a sufistic-affective style, and @nadirsyahhosen, reflecting a contextual-critical approach. Using a descriptive qualitative method and digital hermeneutics, data were collected through online observation, caption documentation, and analysis of comments on two posts (January–May 2025). Findings show that audiences are active co-interpreters rather than passive recipients. Comments on Ismael’s account are mainly affective and affirm spiritual narratives, while those on Nadirsyah’s account are more reflective, intellectual, and critical. Digital interpretation thus emerges as dialogical, decentralized, and shaped by audience participation.

Journal of Asian Wisdom and Islamic BehaviorVol. 3(2)
Sunan Kalijaga State Islamic University Yogyakarta (ID), Al-Azhar University (EG), Al-Azhar University (ID)
Openalex Percentile: Top 74%
Media, Religion, Digital Communication
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.