A Study on the Transformation Pathways of Quanzhou's Ancient Architectural Cultural Symbols in the Design of Tourist Souvenirs

As a key node along the "Maritime Silk Road," Quanzhou's ancient architecture blends diverse religious traditions, regional aesthetics, and traditional craftsmanship, forming a unique cultural symbol system. This study employs a design research methodology, conducting in-depth interviews with three core groups-designers, cultural scholars, and tourists-and combining grounded theory and semiotic analysis methods. The study identifies three value dimensions of Quanzhou's ancient architectural cultural symbols in souvenir design conversion: visual identification, craftsmanship inheritance, and spiritual symbolism. Additionally, the study highlights three practical challenges (loss of authenticity, functional compatibility issues, and cross-cultural misunderstandings) and proposes an innovative solution centred on a "technology-culture" dual-drive model. This research aims to provide methodological support for the creative regeneration of local cultural heritage and promote the sustainable dissemination of local symbolic systems.

Publication Details

Journal
Art and Performance Letters
Published
2025-01-01
DOI
https://doi.org/10.23977/artpl.2025.060315
Primary Topic
Digital Media and Visual Art
Type
article
Field-Weighted Citation Impact
0.00
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article

A Study on the Transformation Pathways of Quanzhou's Ancient Architectural Cultural Symbols in the Design of Tourist Souvenirs

Art and Performance Letters
Digital Media and Visual Art
article

A Study on the Transformation Pathways of Quanzhou's Ancient Architectural Cultural Symbols in the Design of Tourist Souvenirs

article en

Abstract

As a key node along the "Maritime Silk Road," Quanzhou's ancient architecture blends diverse religious traditions, regional aesthetics, and traditional craftsmanship, forming a unique cultural symbol system. This study employs a design research methodology, conducting in-depth interviews with three core groups-designers, cultural scholars, and tourists-and combining grounded theory and semiotic analysis methods. The study identifies three value dimensions of Quanzhou's ancient architectural cultural symbols in souvenir design conversion: visual identification, craftsmanship inheritance, and spiritual symbolism. Additionally, the study highlights three practical challenges (loss of authenticity, functional compatibility issues, and cross-cultural misunderstandings) and proposes an innovative solution centred on a "technology-culture" dual-drive model. This research aims to provide methodological support for the creative regeneration of local cultural heritage and promote the sustainable dissemination of local symbolic systems.

Art and Performance LettersVol. 6(3)
Openalex Percentile: Top 52%
Digital Media and Visual Art
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