The Timeless Whirlwind Emotion Of Air Supply’s Collection: A Musical Discourse Analysis

This study critically examined the stylistic devices, thematic elements, and audience interpretations in Air Supply’s Making Love… The Very Best of Air Supply album, employing a qualitative research design. The corpus comprised twelve (12) songs analyzed through Norman Fairclough’s Critical Discourse Analysis (CDA) framework, supplemented by I. R. Galperin’s stylistic device theory and Raney’s Affective Disposition Theory. Interviews with eleven (11) purposively selected Airheads provided insights into listener reception. The analysis revealed 86 stylistic devices, with metaphor and repetition emerging as the most frequent, alongside personification, simile, imagery, anaphora, hyperbole, parallelism, symbolism, and antithesis. The lyrics conveyed recurring themes of trust, the transformative power of love, the need for intimacy, the desolation of lost relationships, and the emotional impact of past relationship. Audience interpretations reflected emotional connections, including family remembrance, emotional connection, nostalgia, coping mechanisms, and increased positivity. Beyond Air Supply’s repertoire, this study contributes to broader scholarship on how musical discourse integrates literary expression, thematic resonance, and affective audience engagement. The findings may inform discourse studies, cultural research, and applications of music analysis in education and media studies.

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Publication Details

Journal
International Journal of Philosophy Linguistics and Humanities
Published
2025-01-01
DOI
https://doi.org/10.70847/635815
Citations
1
Primary Topic
Diverse Musicological Studies
Type
article
Field-Weighted Citation Impact
19.03
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article

The Timeless Whirlwind Emotion Of Air Supply’s Collection: A Musical Discourse Analysis

Mica Ella Raganas, Louie Jay Caloc
1 citations
International Journal of Philosophy Linguistics and Humanities
Diverse Musicological Studies
19.03
article

The Timeless Whirlwind Emotion Of Air Supply’s Collection: A Musical Discourse Analysis

Mica Ella Raganas, Louie Jay Caloc
article en
1 citations

Abstract

This study critically examined the stylistic devices, thematic elements, and audience interpretations in Air Supply’s Making Love… The Very Best of Air Supply album, employing a qualitative research design. The corpus comprised twelve (12) songs analyzed through Norman Fairclough’s Critical Discourse Analysis (CDA) framework, supplemented by I. R. Galperin’s stylistic device theory and Raney’s Affective Disposition Theory. Interviews with eleven (11) purposively selected Airheads provided insights into listener reception. The analysis revealed 86 stylistic devices, with metaphor and repetition emerging as the most frequent, alongside personification, simile, imagery, anaphora, hyperbole, parallelism, symbolism, and antithesis. The lyrics conveyed recurring themes of trust, the transformative power of love, the need for intimacy, the desolation of lost relationships, and the emotional impact of past relationship. Audience interpretations reflected emotional connections, including family remembrance, emotional connection, nostalgia, coping mechanisms, and increased positivity. Beyond Air Supply’s repertoire, this study contributes to broader scholarship on how musical discourse integrates literary expression, thematic resonance, and affective audience engagement. The findings may inform discourse studies, cultural research, and applications of music analysis in education and media studies.

International Journal of Philosophy Linguistics and HumanitiesVol. 1(2)
San Pedro College (PH), Ateneo de Davao University (PH)
Openalex Percentile: Top 1%
Diverse Musicological Studies
19.03
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