“Y el país se va desangrando…”: El ejercicio de la violencia y la estructuración de la identidad en La Pestilencia

The main objective is to analyse the violent practices and, moreover, the structuring of an identity in the discography released (between 1989 and 2001) by La Pestilencia. In each album, songs were selected whose lyrics describe the exercise of violence by various armed actors, compositions that denounce, question and detail the escalation of war. The songs show that each action is the result of a previous event, but it is not possible to identify the origin of such practices, and the difficulty is that each armed actor does not intend to reduce the response to the attacks suffered, as they seek to neutralise or eliminate their rivals, resorting to new ways of doing so and generating terror among citizens. It was therefore essential to contextualise them within the cultural, historical, political and social framework of Colombia - particularly during the 1980s and 1990s - to understand their significance.

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Publication Details

Journal
Revista Logos Ciencia & Tecnología
Published
2025-09-25
DOI
https://doi.org/10.22335/rlct.v17i2.2117
Primary Topic
Latin American Literature Studies
Type
article
Field-Weighted Citation Impact
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article

“Y el país se va desangrando…”: El ejercicio de la violencia y la estructuración de la identidad en La Pestilencia

John Alexander Castro Lozano
Revista Logos Ciencia & Tecnología
Latin American Literature Studies
article

“Y el país se va desangrando…”: El ejercicio de la violencia y la estructuración de la identidad en La Pestilencia

John Alexander Castro Lozano
article en

Abstract

The main objective is to analyse the violent practices and, moreover, the structuring of an identity in the discography released (between 1989 and 2001) by La Pestilencia. In each album, songs were selected whose lyrics describe the exercise of violence by various armed actors, compositions that denounce, question and detail the escalation of war. The songs show that each action is the result of a previous event, but it is not possible to identify the origin of such practices, and the difficulty is that each armed actor does not intend to reduce the response to the attacks suffered, as they seek to neutralise or eliminate their rivals, resorting to new ways of doing so and generating terror among citizens. It was therefore essential to contextualise them within the cultural, historical, political and social framework of Colombia - particularly during the 1980s and 1990s - to understand their significance.

Revista Logos Ciencia & TecnologíaVol. 17(2)
Universidad Distrital Francisco José de Caldas (CO)
Openalex Percentile: Top 68%
Latin American Literature Studies
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