Music and Song: Tom Munnelly’s View of Ownership

In the tradition of Irish traditional music, ownership of music is vague and sometimes contested. Tunes are not generally associated with a “composer”, but, if identified with anyone at all, are generally associated with the person most well-known for performing them, or a person identified with a tune, or a particular version thereof. This article will examine some of the songs and performances/singers in the collection of the late Tom Munnelly (1944–2007), collector of the most extensive collection of English-language songs in Ireland and not only an avid collector but also a very talented singer. Of primary concern will be Tom Munnelly’s attitude to song and its ownership, shedding light on a field long contested and much debated. Drawing on Tom Munnelly’s field recordings of specific songs, the article will endeavour to shed fresh light on how traditional music in Ireland is viewed.

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Publication Details

Journal
Genealogy
Published
2025-10-01
DOI
https://doi.org/10.3390/genealogy9040102
Primary Topic
Political and Economic history of UK and US
Type
article
Field-Weighted Citation Impact
0.00
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article

Music and Song: Tom Munnelly’s View of Ownership

Thérèse Smith
Genealogy
Political and Economic history of UK and US
article

Music and Song: Tom Munnelly’s View of Ownership

Thérèse Smith
article en

Abstract

In the tradition of Irish traditional music, ownership of music is vague and sometimes contested. Tunes are not generally associated with a “composer”, but, if identified with anyone at all, are generally associated with the person most well-known for performing them, or a person identified with a tune, or a particular version thereof. This article will examine some of the songs and performances/singers in the collection of the late Tom Munnelly (1944–2007), collector of the most extensive collection of English-language songs in Ireland and not only an avid collector but also a very talented singer. Of primary concern will be Tom Munnelly’s attitude to song and its ownership, shedding light on a field long contested and much debated. Drawing on Tom Munnelly’s field recordings of specific songs, the article will endeavour to shed fresh light on how traditional music in Ireland is viewed.

GenealogyVol. 9(4)
University College Dublin (IE)
Openalex Percentile: Top 68%
Political and Economic history of UK and US
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Music and Song: Tom Munnelly’s View of Ownership — Thérèse Smith · Genealogy (2025) | TGRS Research Map | TGRS