Inimitable Complexity: Amir Khosrow and the Persian Poetics of Wonder

Abstract This article demonstrates the influence of the Arabic “poetics of wonder” on the rhetorical thought and creative psychology of the medieval Persian poet Amir Khosrow (1258–1325), which I reconstruct through close-readings of his neglected prose writings. I argue that Khosrow’s articulation of this poetics to a Persian literary audience should be considered a major component of his legacy, which was not restricted to Persianate South Asia, despite the desire of the poet and more recent critics to distinguish his literary sensibilities as distinctively Indian. I consider the role of nationalist historiographies and twentieth-century editorial practices in marginalizing elements of Khosrow’s work in the modern period, and suggest that his valorization of complexity, intellection, and delayed comprehension as requisites for the experience of literary wonder offers a productive framework for appreciating the self-consciously difficult and abstruse poetics of what has been called the “Indian style ( sabk-e Hendi )” of Persian poetry.

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Publication Details

Journal
Journal of Persianate Studies
Published
2025-09-22
DOI
https://doi.org/10.1163/18747167-bja10062
Primary Topic
Islamic Studies and History
Type
article
Field-Weighted Citation Impact
0.00

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article

Inimitable Complexity: Amir Khosrow and the Persian Poetics of Wonder

Shaahin Pishbin
Journal of Persianate Studies
Islamic Studies and History
article

Inimitable Complexity: Amir Khosrow and the Persian Poetics of Wonder

Shaahin Pishbin
article en

Abstract

Abstract This article demonstrates the influence of the Arabic “poetics of wonder” on the rhetorical thought and creative psychology of the medieval Persian poet Amir Khosrow (1258–1325), which I reconstruct through close-readings of his neglected prose writings. I argue that Khosrow’s articulation of this poetics to a Persian literary audience should be considered a major component of his legacy, which was not restricted to Persianate South Asia, despite the desire of the poet and more recent critics to distinguish his literary sensibilities as distinctively Indian. I consider the role of nationalist historiographies and twentieth-century editorial practices in marginalizing elements of Khosrow’s work in the modern period, and suggest that his valorization of complexity, intellection, and delayed comprehension as requisites for the experience of literary wonder offers a productive framework for appreciating the self-consciously difficult and abstruse poetics of what has been called the “Indian style ( sabk-e Hendi )” of Persian poetry.

Journal of Persianate StudiesVol. 18(1-2)
University of Oxford (GB)
University of Chicago
Openalex Percentile: Top 69%
Islamic Studies and History
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