An Analysis of the Use of Computer-Generated Imagery (CGI) in Nollywood: The Examples of Aníkúlápó and Lisabi

This paper explore the application of Computer-Generated Imagery (CGI) in Nollywood through an analysis of Kunle Afolayan’s Aníkúlápó (2022) and Niyi Akinmolayan’s Lisabi (2024). It situates the discussion within the historical trajectory of Nigerian cinema, tracing its colonial origins, post-independence challenges, and the eventual rise of Nollywood as a global force. The study enagages the emergence of CGI as a transformative tool that enables filmmakers to create fantastical, historical, and epic narratives beyond the limits of practical effects. A comparative evaluation reveals that Aníkúlápó employs CGI with notable success, particularly in rendering mythical elements such as Akala, the mystical bird, and resurrection scenes that reinforce Yoruba cosmological beliefs. However, Lisabi demonstrates an ambitious but inconsistent use of CGI, especially in large-scale battle sequences, where technical flaws undermine narrative credibility. The findings suggest that while CGI enhances Nollywood’s competitiveness and visual scope, its misapplication can compromise storytelling depth and cultural authenticity. The study concludes that the sustainable future of Nollywood lies in harmonizing technological advancement with indigenous storytelling. It recommends strategic collaborations with technological experts, increased investment in advanced cinematic equipment, and government as well as private sector support. By adopting these measures, Nollywood can modernize its narratives, achieve higher production quality, and strengthen its global recognition while preserving its cultural integrity.