Posh UK drill and the myth of the respectful parodist

In recent years, the genre of UK drill has become the target of a range of ‘posh’ musical parodies. These parodies come in various forms, from private school students making TikToks under the hashtag #privateschool that use the genre’s reputation to illustrate their own privilege (Hall 2020; Complex UK 2023), to folky YouTube covers of drill songs that play off the musical differences between the two styles. Some of these parodies juxtapose UK drill’s reputation as a working class and Black British artform with upper class and white stereotypes, providing a sharp reminder of the issues that can arise through unnecessary socio-cultural comparison. In addition, many creators of these parodies appear to hide behind a veil of self-reflexive acknowledgement to mask the various ethical quandaries that arise in their work, often passing harmful content off as self-deprecating fun.

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Publication Details

Journal
Popular Music
Published
2025-05-01
DOI
https://doi.org/10.1017/s0261143025101098
Primary Topic
Linguistic Variation and Morphology
Type
article
Field-Weighted Citation Impact
0.00
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article

Posh UK drill and the myth of the respectful parodist

James C. Johnson
Popular Music
Linguistic Variation and Morphology
article

Posh UK drill and the myth of the respectful parodist

James C. Johnson
article en

Abstract

In recent years, the genre of UK drill has become the target of a range of ‘posh’ musical parodies. These parodies come in various forms, from private school students making TikToks under the hashtag #privateschool that use the genre’s reputation to illustrate their own privilege (Hall 2020; Complex UK 2023), to folky YouTube covers of drill songs that play off the musical differences between the two styles. Some of these parodies juxtapose UK drill’s reputation as a working class and Black British artform with upper class and white stereotypes, providing a sharp reminder of the issues that can arise through unnecessary socio-cultural comparison. In addition, many creators of these parodies appear to hide behind a veil of self-reflexive acknowledgement to mask the various ethical quandaries that arise in their work, often passing harmful content off as self-deprecating fun.

Popular MusicVol. 44(2)
University of the West (US)
Openalex Percentile: Top 71%
Linguistic Variation and Morphology
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