Intersecting Identities: A Critical Examination of Sixsmith’s Ayesha’s Gift

This study explores the struggles of Ayesha, the protagonist, as she seeks the truth behind her father’s death, officially declared a suicide. Guided by Kimberlé Crenshaw’s theory of Intersectionality (1989), the research examines how overlapping identities—race, ethnicity, nationality, gender, class, and cultural background—shape her experiences. Employing a qualitative, text-based approach, the study reveals Ayesha’s confrontation with systemic oppression and patriarchal dominance in Pakistan, where her intrusion is met with hostility, threats, and violence. Simultaneously, her life in Britain, marked by alienation and racial prejudice, intensifies her sense of displacement. Ultimately, both nations fail to offer her belonging, forcing her into a crisis of identity. This analysis highlights how intersectional forces amplify marginalization and complicate questions of home and identity for diasporic women.

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Publication Details

Journal
Social science review archives.
Published
2025-09-24
DOI
https://doi.org/10.70670/sra.v3i3.1074
Primary Topic
South Asian Cinema and Culture
Type
article
Field-Weighted Citation Impact
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article

Intersecting Identities: A Critical Examination of Sixsmith’s Ayesha’s Gift

Rashid Ali, Muhammad Raies, Kiran Jamil, Usman Ullah
Social science review archives.
South Asian Cinema and Culture
article

Intersecting Identities: A Critical Examination of Sixsmith’s Ayesha’s Gift

Rashid Ali, Muhammad Raies, Kiran Jamil, Usman Ullah
article en

Abstract

This study explores the struggles of Ayesha, the protagonist, as she seeks the truth behind her father’s death, officially declared a suicide. Guided by Kimberlé Crenshaw’s theory of Intersectionality (1989), the research examines how overlapping identities—race, ethnicity, nationality, gender, class, and cultural background—shape her experiences. Employing a qualitative, text-based approach, the study reveals Ayesha’s confrontation with systemic oppression and patriarchal dominance in Pakistan, where her intrusion is met with hostility, threats, and violence. Simultaneously, her life in Britain, marked by alienation and racial prejudice, intensifies her sense of displacement. Ultimately, both nations fail to offer her belonging, forcing her into a crisis of identity. This analysis highlights how intersectional forces amplify marginalization and complicate questions of home and identity for diasporic women.

Social science review archives.Vol. 3(3)
Northern University (PK)
Openalex Percentile: Top 75%
South Asian Cinema and Culture
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