Jereneczka – polski fantazmat Bozorga Alawiego. Analiza i przekład

Bozorg Alavi’s short story Yerenečkā seems to be the first one in the Persian prose literature to trace the passage of Poles through Iran during the 2nd World War. Yerenechka – as a literary character – gives rise to a stereotypical image of the Polish women who, in Persian literature, are presented as both war victims and erotic objects. Alavi’s story perpetuates the false image of Poles who entered Iran with Gen. Anders’ Second Corps, as refugees fleeing solely from German aggression, the Soviets’ responsibility for their ordeal being fully ignored. In Iran Yerenečkā was read as an erotic fantasy in Hedayat’s style. Yet, the author’s final declaration of his particular emotional bonds with his heroine draws the readers’ attention to the events of Alavi’s own life, in particular those concerning his elder brother Morteza, a communist who perished during the Stalinist purges.

Authors

Publication Details

Journal
Konteksty Kultury
Published
2025-09-26
DOI
https://doi.org/10.4467/23531991kk.25.006.21755
Primary Topic
Language and Culture
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Jereneczka – polski fantazmat Bozorga Alawiego. Analiza i przekład

Anna Krasnowolska
Konteksty Kultury
Language and Culture
article

Jereneczka – polski fantazmat Bozorga Alawiego. Analiza i przekład

Anna Krasnowolska
article en

Abstract

Bozorg Alavi’s short story Yerenečkā seems to be the first one in the Persian prose literature to trace the passage of Poles through Iran during the 2nd World War. Yerenechka – as a literary character – gives rise to a stereotypical image of the Polish women who, in Persian literature, are presented as both war victims and erotic objects. Alavi’s story perpetuates the false image of Poles who entered Iran with Gen. Anders’ Second Corps, as refugees fleeing solely from German aggression, the Soviets’ responsibility for their ordeal being fully ignored. In Iran Yerenečkā was read as an erotic fantasy in Hedayat’s style. Yet, the author’s final declaration of his particular emotional bonds with his heroine draws the readers’ attention to the events of Alavi’s own life, in particular those concerning his elder brother Morteza, a communist who perished during the Stalinist purges.

Konteksty KulturyVol. 22(1)
Openalex Percentile: Top 71%
Language and Culture
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.