The heroines are in the details: Rediscovering the women in the resurrection narratives

The four earliest extant resurrection narratives record that women find the empty tomb first. This consensus suggests that although the resurrection narratives diminish the roles of women in these scenes, women undisputedly witness the resurrection. The details of women’s authority and leadership that remain in the narratives preserve their primacy. Isolating these details reveals a pattern of gendered redaction in the three endings of Mark and the four canonical resurrection narratives that diminishes, obscures, and excises women from these texts. This study rediscovers these women. Buttressed by early Christian art, the details of women’s authority and leadership evince new evidence for Historical Jesus reconstructions of these events, the priority of the longer ending of Mark, vestiges of women’s leadership in early Christian worship, and a strong affirmation for the reliability of women’s witness. Analyzing redaction that erases women reveals that the heroines are in the details. By recovering women’s narratives, this article contributes to the study of ancient Jewish and Christian Pseudepigrapha by giving a model of how to recover women’s narratives in other literature as well.

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Publication Details

Journal
Journal for the Study of the Pseudepigrapha
Published
2025-09-29
DOI
https://doi.org/10.1177/09518207251367408
Primary Topic
Biblical Studies and Interpretation
Type
article
Field-Weighted Citation Impact
0.00
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article

The heroines are in the details: Rediscovering the women in the resurrection narratives

Sandra Meyer
Journal for the Study of the Pseudepigrapha
Biblical Studies and Interpretation
article

The heroines are in the details: Rediscovering the women in the resurrection narratives

Sandra Meyer
article en

Abstract

The four earliest extant resurrection narratives record that women find the empty tomb first. This consensus suggests that although the resurrection narratives diminish the roles of women in these scenes, women undisputedly witness the resurrection. The details of women’s authority and leadership that remain in the narratives preserve their primacy. Isolating these details reveals a pattern of gendered redaction in the three endings of Mark and the four canonical resurrection narratives that diminishes, obscures, and excises women from these texts. This study rediscovers these women. Buttressed by early Christian art, the details of women’s authority and leadership evince new evidence for Historical Jesus reconstructions of these events, the priority of the longer ending of Mark, vestiges of women’s leadership in early Christian worship, and a strong affirmation for the reliability of women’s witness. Analyzing redaction that erases women reveals that the heroines are in the details. By recovering women’s narratives, this article contributes to the study of ancient Jewish and Christian Pseudepigrapha by giving a model of how to recover women’s narratives in other literature as well.

Journal for the Study of the PseudepigraphaVol. 35(2)
Concordia University (CA)
Openalex Percentile: Top 79%
Biblical Studies and Interpretation
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