Amherstia nobilis

The thawka-gyi or Amherstia nobilis (‘Pride of Burma’) was first encountered by Europeans in 1826, after the First Anglo-Burmese War. This article is the first full-length attempt to recover the European cultural and colonial history of Amherstia nobilis. This splendid tree was known only in cultivated form, planted in the vicinity of Buddhist temples. From the earliest sighting, Western botanists called it the world’s most beautiful flowering tree. The tree’s European reputation was established through narrative accounts and illustrations based on Indian botanical paintings. Wealthy British horticulturalists, attracted by the tree’s beauty, rarity and sacred associations, competed to secure specimens and bring it to flower. Western women horticulturalists, writers and artists were particularly drawn to the plant. In tracing the cultural history of Amherstia nobilis, this article highlights the role of both Indian painters and British women in constructing scientific and horticultural knowledge.

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Publication Details

Journal
Plant Perspectives
Published
2025-09-29
DOI
https://doi.org/10.3197/whppp.63876246815904
Primary Topic
History of Science and Natural History
Type
article
Field-Weighted Citation Impact
0.00
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article

Amherstia nobilis

Kate Teltscher
Plant Perspectives
History of Science and Natural History
article

Amherstia nobilis

Kate Teltscher
article en

Abstract

The thawka-gyi or Amherstia nobilis (‘Pride of Burma’) was first encountered by Europeans in 1826, after the First Anglo-Burmese War. This article is the first full-length attempt to recover the European cultural and colonial history of Amherstia nobilis. This splendid tree was known only in cultivated form, planted in the vicinity of Buddhist temples. From the earliest sighting, Western botanists called it the world’s most beautiful flowering tree. The tree’s European reputation was established through narrative accounts and illustrations based on Indian botanical paintings. Wealthy British horticulturalists, attracted by the tree’s beauty, rarity and sacred associations, competed to secure specimens and bring it to flower. Western women horticulturalists, writers and artists were particularly drawn to the plant. In tracing the cultural history of Amherstia nobilis, this article highlights the role of both Indian painters and British women in constructing scientific and horticultural knowledge.

Plant PerspectivesVol. 2(2)
Royal Botanic Gardens, Kew (GB)
Openalex Percentile: Top 66%
History of Science and Natural History
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