Scientific Art in Glass: Archaeometric Analysis and Conservation of Blaschka Models

Leopold Blaschka (1822–1895) and his son Rudolf (1857–1939) created scientifically accurate glass models of marine invertebrates that reshaped natural history education in the 19th century. Their work overcame the limitations of traditional preservation techniques, allowing for detailed and lifelike representations of soft-bodied sea creatures and botanic species. Today, their models are preserved in prestigious collections worldwide. This paper examines not only the historical and artistic significance of the Blaschka models but also presents the findings of recent material analyses, including computed tomography (CT), scanning electron microscopy combined with energy dispersive X-ray analysis (SEM-EDS), visible ultraviolet fluorescence (UVF), and Fourier-transform infrared spectroscopy (FTIR). The multi-analytical approach allowed for the characterization of the chemical composition of the glass and adhesives used, shedding light on the Blaschkas’ unique manufacturing processes and material choices. Data from this study demonstrate how the combination of a multi-analytical approach with knowledge of historical glassmaking practices can provide a solid foundation for both conservation efforts and further academic investigation into these composite objects. The study underscores the models’ value not only as artistic masterpieces but also as technological artifacts, offering insights into 19th-century scientific craftsmanship at the intersection of art and biology. Furthermore, the study presents a conservation intervention based on scientific evidence and a skilfully tailored solution, chosen piece-by-piece, part-by-part of the intricate glass models.