Reclaiming the Narrative: Gender, Sexuality, and Music in Pre-Contact Indigenous Civilizations and Afro-Latine Countries

This article explores the profound impact of colonialism on gender, sexuality, and musical traditions of pre-contact Indigenous civilizations and Afro-Latine countries. Colonial powers not only disrupted these vibrant cultures but also systematically sought to erase them. Colonial powers obliterated musical traditions and silenced women and femme-presenting individuals, forcing them to mirror the values and culture of the conquerors. Despite extensive historical erasure, evidence from archaeological finds and archival materials suggests that these individuals played pivotal roles, with contributions likely equal to those of cis-gender, heterosexual men. This research reconstructs a more accurate narrative of pre-contact Indigenous music, highlighting the significance of gender fluidity and non-binary identities in these societies. Furthermore, the study discusses contemporary efforts to decolonize Afro-Latine music traditions, emphasizing the importance of reclaiming marginalized voices in the ongoing struggle for social justice, cultural pride, and educational equity. Keywords: Indigenous Gender Roles and Sexuality, Decolonizing Education, Afro-Latine Music, Colonialism and Music, Queer Indigenous Culture

Authors

Publication Details

Journal
Athens Journal of Humanities and Arts
Published
2025-09-28
DOI
https://doi.org/10.30958/ajha.12-4-2
Primary Topic
Music History and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Reclaiming the Narrative: Gender, Sexuality, and Music in Pre-Contact Indigenous Civilizations and Afro-Latine Countries

Rachel Yvonne Cruz
Athens Journal of Humanities and Arts
Music History and Culture
article

Reclaiming the Narrative: Gender, Sexuality, and Music in Pre-Contact Indigenous Civilizations and Afro-Latine Countries

Rachel Yvonne Cruz
article en

Abstract

This article explores the profound impact of colonialism on gender, sexuality, and musical traditions of pre-contact Indigenous civilizations and Afro-Latine countries. Colonial powers not only disrupted these vibrant cultures but also systematically sought to erase them. Colonial powers obliterated musical traditions and silenced women and femme-presenting individuals, forcing them to mirror the values and culture of the conquerors. Despite extensive historical erasure, evidence from archaeological finds and archival materials suggests that these individuals played pivotal roles, with contributions likely equal to those of cis-gender, heterosexual men. This research reconstructs a more accurate narrative of pre-contact Indigenous music, highlighting the significance of gender fluidity and non-binary identities in these societies. Furthermore, the study discusses contemporary efforts to decolonize Afro-Latine music traditions, emphasizing the importance of reclaiming marginalized voices in the ongoing struggle for social justice, cultural pride, and educational equity. Keywords: Indigenous Gender Roles and Sexuality, Decolonizing Education, Afro-Latine Music, Colonialism and Music, Queer Indigenous Culture

Athens Journal of Humanities and ArtsVol. 12(4)
Openalex Percentile: Top 73%
Music History and Culture
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Reclaiming the Narrative: Gender, Sexuality, and Music in Pre-Contact Indigenous Civilizations and Afro-Latine Countries — Rachel Yvonne Cruz · Athens Journal of Humanities and Arts (2025) | TGRS Research Map | TGRS