Having a licence for offensive humour in stand-up comedy?

Abstract From a sociopragmatic approach, this article examines potentially offensive remarks in stand-up comedy performances by Romanian origin comedians acting in the United Kingdom. The analysis highlights the sociocultural allowances that enable comedians to engage in a type of verbal behaviour that diverges from socially accepted norms in most “serious” contexts. Following the idea that these performances do not affect the status quo but rather reinforce it (in a long tradition of carnivalesque), the analysis investigates how potentially offensive humour is designed and negotiated by Romanian comedians abroad: how they introduce and develop sensitive topics in the performances, audience reactions to potentially offensive comments, comedians’ awareness of the effects of their discourse, and how they co-create a style of humour that meets the expectations of the public.

Authors

Institutions

Publication Details

Journal
Pragmatics & Cognition
Published
2025-09-26
DOI
https://doi.org/10.1075/pc.24022.con
Primary Topic
Humor Studies and Applications
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

Having a licence for offensive humour in stand-up comedy?

Mihaela-Viorica Constantinescu
Pragmatics & Cognition
Humor Studies and Applications
article

Having a licence for offensive humour in stand-up comedy?

Mihaela-Viorica Constantinescu
article en

Abstract

Abstract From a sociopragmatic approach, this article examines potentially offensive remarks in stand-up comedy performances by Romanian origin comedians acting in the United Kingdom. The analysis highlights the sociocultural allowances that enable comedians to engage in a type of verbal behaviour that diverges from socially accepted norms in most “serious” contexts. Following the idea that these performances do not affect the status quo but rather reinforce it (in a long tradition of carnivalesque), the analysis investigates how potentially offensive humour is designed and negotiated by Romanian comedians abroad: how they introduce and develop sensitive topics in the performances, audience reactions to potentially offensive comments, comedians’ awareness of the effects of their discourse, and how they co-create a style of humour that meets the expectations of the public.

Pragmatics & CognitionVol. 32(1)
University of East Anglia (GB)
Openalex Percentile: Top 70%
Humor Studies and Applications
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.

Having a licence for offensive humour in stand-up comedy? — Mihaela-Viorica Constantinescu · Pragmatics & Cognition (2025) | TGRS Research Map | TGRS