The joke and the joker

Abstract The ongoing and divisive discourse regarding the use of offensive humour in stand-up comedy is taking place both off-stage and on-stage: comedians use jokes that target sensitive characteristics ostensibly to show that no topic is ‘off limits’, while also taking a stance against those who argue for more empathetic comedy that does not reinforce stereotypes and discriminatory beliefs. Taking Jimmy Carr’s ‘holocaust joke’ (2021) as a case study, we examine the entire life-cycle of jokes from their live-performance context to entering the public sphere, questioning what a joker can be held accountable for in stand-up comedy. Specifically, we look at the performance frame, comedian personality and persona, and how different types of audience may react to a joke, in order to shed light on what exactly it is that the producer of an offensive joke can, or should, be held accountable for.