Unveiling Appearance and Ideology in the short story Overcoat by Ghulam Abbas: A Critical Discourse Analysis

This study employs Fairclough’s three-dimensional framework for Critical Discourse Analysis (CDA) to analyze the short story Overcoat by Pakistani writer Ghulam Abbas. The analysis penetrates into how language, social identity, power relations, and ideological structures intersect in the story’s narrative to expose fundamental societal structures in Pakistani postcolonial society. By presenting a comprehensive textual, discursive, and social analysis of the narrative, this study unwraps how the elegant attire of the protagonist acts as a semiotic device to exhibit class identity, and how institutions like the hospital function serve as ideological disseminators. The findings reveal that the protagonist’s identity in Overcoat is socially negotiated and fluctuating, constructed and reconstructed through discourse. The findings suggest that CDA turns out to be an insightful lens to reveal the socio-political functions of the narrative.

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Publication Details

Journal
PAKISTAN LANGUAGES AND HUMANITIES REVIEW
Published
2025-09-25
DOI
https://doi.org/10.47205/plhr.2025(9-iii)44
Primary Topic
Literary Theory and Cultural Hermeneutics
Type
article
Field-Weighted Citation Impact
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article

Unveiling Appearance and Ideology in the short story Overcoat by Ghulam Abbas: A Critical Discourse Analysis

PAKISTAN LANGUAGES AND HUMANITIES REVIEW
Literary Theory and Cultural Hermeneutics
article

Unveiling Appearance and Ideology in the short story Overcoat by Ghulam Abbas: A Critical Discourse Analysis

article en

Abstract

This study employs Fairclough’s three-dimensional framework for Critical Discourse Analysis (CDA) to analyze the short story Overcoat by Pakistani writer Ghulam Abbas. The analysis penetrates into how language, social identity, power relations, and ideological structures intersect in the story’s narrative to expose fundamental societal structures in Pakistani postcolonial society. By presenting a comprehensive textual, discursive, and social analysis of the narrative, this study unwraps how the elegant attire of the protagonist acts as a semiotic device to exhibit class identity, and how institutions like the hospital function serve as ideological disseminators. The findings reveal that the protagonist’s identity in Overcoat is socially negotiated and fluctuating, constructed and reconstructed through discourse. The findings suggest that CDA turns out to be an insightful lens to reveal the socio-political functions of the narrative.

PAKISTAN LANGUAGES AND HUMANITIES REVIEWVol. 9(III)
Lahore College for Women University (PK)
Openalex Percentile: Top 73%
Literary Theory and Cultural Hermeneutics
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