The Awakening of Female Consciousness in TV Series “Blossoms Shanghai”——A Performance Studies Perspective

Wong Kar-wai's TV series “Blossoms Shanghai” portrays numerous female characters undergoing a transformative journey of female consciousness—from its absence to its reconstruction—amidst the currents of their personal development and the broader historical era, blooming like vibrant flowers in abundance. Richard Schechner's theory of Performance Studies posits that any self-referential action constitutes ‘Performance,’ with people living their lives akin to stage performances, constantly assuming diverse roles. From the perspective of Performance Studies Theory, this offers insights into the development of individuals within society. This paper analyses the awakening of female consciousness among the three main female characters in the TV series ‘Blossoms Shanghai’ from the perspective of Performance Studies Theory, aiming to explore the female spiritual world and its developmental significance embedded in the work.

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Publication Details

Journal
The Journal of Social Science and Humanities
Published
2025-09-25
DOI
https://doi.org/10.64583/vf9qqx81
Primary Topic
Asian Culture and Media Studies
Type
article
Field-Weighted Citation Impact
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article

The Awakening of Female Consciousness in TV Series “Blossoms Shanghai”——A Performance Studies Perspective

Jing Tan
The Journal of Social Science and Humanities
Asian Culture and Media Studies
article

The Awakening of Female Consciousness in TV Series “Blossoms Shanghai”——A Performance Studies Perspective

Jing Tan
article en

Abstract

Wong Kar-wai's TV series “Blossoms Shanghai” portrays numerous female characters undergoing a transformative journey of female consciousness—from its absence to its reconstruction—amidst the currents of their personal development and the broader historical era, blooming like vibrant flowers in abundance. Richard Schechner's theory of Performance Studies posits that any self-referential action constitutes ‘Performance,’ with people living their lives akin to stage performances, constantly assuming diverse roles. From the perspective of Performance Studies Theory, this offers insights into the development of individuals within society. This paper analyses the awakening of female consciousness among the three main female characters in the TV series ‘Blossoms Shanghai’ from the perspective of Performance Studies Theory, aiming to explore the female spiritual world and its developmental significance embedded in the work.

The Journal of Social Science and HumanitiesVol. 1(2)
Shanghai Theatre Academy (CN)
Openalex Percentile: Top 69%
Asian Culture and Media Studies
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