Folk tradition, transition, and transformation for early childhood education

Transformation of folk culture is unavoidable when aiming to make traditional elements relevant to children today. An educational event was planned during a semester based on the above assumption, as a collaboration between the Department of Education of the University of Nicosia, Cyprus, and the Cyprus Folk Art Museum. The context of activities of two undergraduate courses was modified to make museum exhibits relevant initially to 11 student–teachers and later to 20 preschool children invited at the end of the semester to participate in activities at the museum. The student–teachers’ instructional design process was based on strategies followed by artists who pursue meaningful artmaking. These strategies—stages—include identifying and personalizing a big idea, building a knowledge base, setting boundaries, and problem-solving. Whether with a small or large deviation from the initial folk cultural experience, all participants were actively involved in activities, which were inspired by tradition and evolved to transition and transformation for an educational event.

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Publication Details

Journal
Frontiers in Education
Published
2025-09-24
DOI
https://doi.org/10.3389/feduc.2025.1501558
Primary Topic
Early Childhood Education and Development
Type
article
Field-Weighted Citation Impact
0.00
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article

Folk tradition, transition, and transformation for early childhood education

Antonia Michaelidou, Eliza Pitri
Frontiers in Education
Early Childhood Education and Development
article

Folk tradition, transition, and transformation for early childhood education

Antonia Michaelidou, Eliza Pitri
article en

Abstract

Transformation of folk culture is unavoidable when aiming to make traditional elements relevant to children today. An educational event was planned during a semester based on the above assumption, as a collaboration between the Department of Education of the University of Nicosia, Cyprus, and the Cyprus Folk Art Museum. The context of activities of two undergraduate courses was modified to make museum exhibits relevant initially to 11 student–teachers and later to 20 preschool children invited at the end of the semester to participate in activities at the museum. The student–teachers’ instructional design process was based on strategies followed by artists who pursue meaningful artmaking. These strategies—stages—include identifying and personalizing a big idea, building a knowledge base, setting boundaries, and problem-solving. Whether with a small or large deviation from the initial folk cultural experience, all participants were actively involved in activities, which were inspired by tradition and evolved to transition and transformation for an educational event.

Frontiers in EducationVol. 10
University of Nicosia (CY), Cyprus Pedagogical Institute (CY)
Openalex Percentile: Top 72%
Early Childhood Education and Development
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