HISTORY OF THE ORIGIN AND DEVELOPMENT OF ARCHITECTURE AND DESIGN OF NON-STATIONARY OBJECTS FOR ENTERTAINMENT ACTIVITIES

The article highlights the events related to the origin and development vectors of the architecture of non-stationary objects for entertainment and various aspects of their design, construction and operation, taking into account the history of entertainment and architecture, artistic, cultural traditions and political events in Europe and Ukraine. To restore destroyed settlements and return them to active life and development, it is necessary to build not only residential, industrial, service facilities and networks, but also facilities for theatrical and entertainment activities. The use of objects of non-traditional forms will be relevant due to the influence of the deformation of the nature of settlement, socio-demographic features and natural and economic indicators. An important direction for solving this problem can be nonstationary facilities for theatrical and entertainment and cultural and educational activities. Non-stationary buildings have always interested Ukrainian and foreign scientists. At the end of the XX and beginning of the XXI centuries, in numerous articles, monographs, dissertations, information about such structures was constantly covered. Thanks to research at the Department of DAS under the leadership of V. Proskuryakov and his students, such structures were not only singled out among hundreds of species, subspecies and types of public facilities of the past, but were also classified as an important separate type that can now be used in the restoration of architectural networks destroyed during the war with the russian federation. The period presented in the article covered research from the time of the archaic-naturalistic cult, when the "Kupala Theater" became the peak of objects for spectacles, and up to the XXI century. The armor of buffoons in their "performances" was studied. Further investigations of non-stationary folk theater-nativity scene and marionette theaters-nativity scenes. Specific forms of spectacles are highlighted - miracles, mysteries, and later forms of theaters-mess, fairs, arches - for processions. Also buildings of farce theaters and many others.