Breaking the Silences about Non-hetero Female Sexuality in Saghi Ghahraman’s Poetry

Born in Iran, Saghi Ghahraman, an Iranian poet, lives in exile in Canada currently. Ghahraman founded Gilgamishaan Books, and founded and operated the Exiled Writers Club for two years. Zhe has been running the Iranian Queer Organization (IRQO) since 2008. In this paper analyzing hir non-phallocentric, multilayered, and non-linear poetry, I contend that Ghahraman rewrites androcentric history within the public sphere of cyberspace, pushing back against the attempts to mute queer sexuality and desire within Iranian culture. My main goal here is to illustrate that Ghahraman gives voice to the historically unthinkable and unspeakable issue of <em>veiled</em> Iranian women's bodies and voices breaking the deafening silences concerning the multiplicity of gender identities and sexualities. In this way, not only does Ghahraman assert hirself and hir desire, but zhe also liberates others who have been subjected to this historical silencing and suppression of their voices.

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Publication Details

Journal
UNC Libraries
Published
2025-08-09
DOI
https://doi.org/10.17615/ws60-2918
Primary Topic
Islamic Studies and History
Type
article
Field-Weighted Citation Impact
0.00
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article

Breaking the Silences about Non-hetero Female Sexuality in Saghi Ghahraman’s Poetry

Claudia Yaghoobi
UNC Libraries
Islamic Studies and History
article

Breaking the Silences about Non-hetero Female Sexuality in Saghi Ghahraman’s Poetry

Claudia Yaghoobi
article en

Abstract

Born in Iran, Saghi Ghahraman, an Iranian poet, lives in exile in Canada currently. Ghahraman founded Gilgamishaan Books, and founded and operated the Exiled Writers Club for two years. Zhe has been running the Iranian Queer Organization (IRQO) since 2008. In this paper analyzing hir non-phallocentric, multilayered, and non-linear poetry, I contend that Ghahraman rewrites androcentric history within the public sphere of cyberspace, pushing back against the attempts to mute queer sexuality and desire within Iranian culture. My main goal here is to illustrate that Ghahraman gives voice to the historically unthinkable and unspeakable issue of <em>veiled</em> Iranian women's bodies and voices breaking the deafening silences concerning the multiplicity of gender identities and sexualities. In this way, not only does Ghahraman assert hirself and hir desire, but zhe also liberates others who have been subjected to this historical silencing and suppression of their voices.

UNC Libraries
University of North Carolina at Chapel Hill (US)
Openalex Percentile: Top 70%
Islamic Studies and History
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