Of Touch, Text, and Textile: Imaginative Notes for Other Agencies, Rhythms, and Everyday Life

This text-textile offers a situated reflection on textile creation practices as embodied knowledge and as forms of micropolitical, affective, and epistemological recomposition. From a feminist perspective and grounded in our trajectories as researchers and textileras (textile makers), we approach textiles as both material metaphors and sensitive technologies that enable thinking–enacting other relations between bodies, materials, and knowledges. The text is organized into three stitches: (1) textiles in everyday life as practices of the common; (2) touch as an epistemic gesture and the agency of textile matter; and (3) the dissident temporalities enabled by these practices. The text is fashioned as a gesture of disciplinary overflow that challenges established fields of knowledge and design. As a transformative practice, textile work allows for imagining modes of collaborative creation where knowledge becomes body, rhythm, and connection. This text is a work-in-progress fabric, open to further elaboration.

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Publication Details

Journal
Revista Diseña
Published
2025-01-01
DOI
https://doi.org/10.7764/disena.27.article.2
Primary Topic
Art, Technology, and Culture
Type
article
Field-Weighted Citation Impact
0.00
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article

Of Touch, Text, and Textile: Imaginative Notes for Other Agencies, Rhythms, and Everyday Life

Fabiana Rivas Monje, María Belén Tapia de la Fuente
Revista Diseña
Art, Technology, and Culture
article

Of Touch, Text, and Textile: Imaginative Notes for Other Agencies, Rhythms, and Everyday Life

Fabiana Rivas Monje, María Belén Tapia de la Fuente
article en

Abstract

This text-textile offers a situated reflection on textile creation practices as embodied knowledge and as forms of micropolitical, affective, and epistemological recomposition. From a feminist perspective and grounded in our trajectories as researchers and textileras (textile makers), we approach textiles as both material metaphors and sensitive technologies that enable thinking–enacting other relations between bodies, materials, and knowledges. The text is organized into three stitches: (1) textiles in everyday life as practices of the common; (2) touch as an epistemic gesture and the agency of textile matter; and (3) the dissident temporalities enabled by these practices. The text is fashioned as a gesture of disciplinary overflow that challenges established fields of knowledge and design. As a transformative practice, textile work allows for imagining modes of collaborative creation where knowledge becomes body, rhythm, and connection. This text is a work-in-progress fabric, open to further elaboration.

Revista DiseñaVol. 27
Universitat Autònoma de Barcelona (ES), Universidad Autónoma de Chile (CL)
Openalex Percentile: Top 75%
Art, Technology, and Culture
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