The Mystery of Helena Modjeska’s First and Last Kraków Photographs: The Walery Rzewuski’s and Józef Sebald’s Glass Negatives in the Jagiellonian Library Collection

The article focuses on a unique collection of glass negatives held at the Jagiellonian Library in Kraków. These works by the esteemed Polish photographers Walery Rzewuski (1865–1869) and Józef Sebald (1903) capture the actress Helena Modjeska in her first and last photographic sessions in her hometown. In 2024, the negatives were digitised for the first time at the Museum of Photography in Kraków, so that digital copies identical to the originals were obtained. By reconstructing the history of the relationship between the actress and Rzewuski based on various sources, the article examines the phenomenon of Modjeska’s earliest photographs in character and investigates the talent of one of the first Polish theatre photographers. Inspired by Geoffrey Batchen’s Negative/Positive: A History of Photography (2021), the author attempts to demonstrate how examining negatives can shift our perspective on the understanding of photography, including theatre photography.

Authors

Institutions

Publication Details

Journal
Pamiętnik Teatralny
Published
2025-09-16
DOI
https://doi.org/10.36744/pt.4382
Primary Topic
Literature and Cultural Memory
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

The Mystery of Helena Modjeska’s First and Last Kraków Photographs: The Walery Rzewuski’s and Józef Sebald’s Glass Negatives in the Jagiellonian Library Collection

Agnieszka Wanicka
Pamiętnik Teatralny
Literature and Cultural Memory
article

The Mystery of Helena Modjeska’s First and Last Kraków Photographs: The Walery Rzewuski’s and Józef Sebald’s Glass Negatives in the Jagiellonian Library Collection

Agnieszka Wanicka
article en

Abstract

The article focuses on a unique collection of glass negatives held at the Jagiellonian Library in Kraków. These works by the esteemed Polish photographers Walery Rzewuski (1865–1869) and Józef Sebald (1903) capture the actress Helena Modjeska in her first and last photographic sessions in her hometown. In 2024, the negatives were digitised for the first time at the Museum of Photography in Kraków, so that digital copies identical to the originals were obtained. By reconstructing the history of the relationship between the actress and Rzewuski based on various sources, the article examines the phenomenon of Modjeska’s earliest photographs in character and investigates the talent of one of the first Polish theatre photographers. Inspired by Geoffrey Batchen’s Negative/Positive: A History of Photography (2021), the author attempts to demonstrate how examining negatives can shift our perspective on the understanding of photography, including theatre photography.

Pamiętnik TeatralnyVol. 74(3)
Jagiellonian University (PL)
Openalex Percentile: Top 74%
Literature and Cultural Memory
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.