A cena de música paraense em Curitiba:

This study aims, in a preliminary manner, to map the Pará music scene in the city of Curitiba. To this end, we analyze two events that, although presented as "Pará music parties," differ radically in terms of production, promotion, sound, audience attire, interactions, dance performances, and beverage consumption. Examining these elements allows us to understand different ways of claiming authenticity and upholding the label "Pará music party." One event revealed a pedagogical and detached intention of introducing Pará music to non-Pará audiences, while the other used music as a unifying element for a migrant community of people from Pará living in Curitiba.

Authors

Publication Details

Journal
Revista Contracampo
Published
2025-04-29
DOI
https://doi.org/10.22409/contracampo.v44i1.65808
Primary Topic
Brazilian cultural history and politics
Type
article
Field-Weighted Citation Impact
0.00
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article

A cena de música paraense em Curitiba:

Marcelo Garson
Revista Contracampo
Brazilian cultural history and politics
article

A cena de música paraense em Curitiba:

Marcelo Garson
article en

Abstract

This study aims, in a preliminary manner, to map the Pará music scene in the city of Curitiba. To this end, we analyze two events that, although presented as "Pará music parties," differ radically in terms of production, promotion, sound, audience attire, interactions, dance performances, and beverage consumption. Examining these elements allows us to understand different ways of claiming authenticity and upholding the label "Pará music party." One event revealed a pedagogical and detached intention of introducing Pará music to non-Pará audiences, while the other used music as a unifying element for a migrant community of people from Pará living in Curitiba.

Revista ContracampoVol. 44(1)
Openalex Percentile: Top 66%
Brazilian cultural history and politics
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A cena de música paraense em Curitiba: — Marcelo Garson · Revista Contracampo (2025) | TGRS Research Map | TGRS