The Steppe as a Post-Apocalyptic and Mythological Landscape in Oksana Vasyakina’s Autofiction

This paper explores the role of the steppe in Oksana Vasyakina’s autofiction novel Steppe (2022) through a post-apocalyptic lens, analyzing its function as both a physical and metaphorical space. The study examines the steppe’s connection to the themes of memory, loss, and identity, drawing on mythological, ecological, and postmodern elements to portray personal and historical catastrophe. Ultimately, the steppe emerges as a space where time, place, and trauma converge.

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Publication Details

Journal
Kwartalnik Neofilologiczny
Published
2025-09-23
DOI
https://doi.org/10.24425/kn.2025.154691
Citations
1
Primary Topic
Soviet and Russian History
Type
article
Field-Weighted Citation Impact
8.52
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article

The Steppe as a Post-Apocalyptic and Mythological Landscape in Oksana Vasyakina’s Autofiction

Кристина Воронцова
1 citations
Kwartalnik Neofilologiczny
Soviet and Russian History
8.52
article

The Steppe as a Post-Apocalyptic and Mythological Landscape in Oksana Vasyakina’s Autofiction

Кристина Воронцова
article en
1 citations

Abstract

This paper explores the role of the steppe in Oksana Vasyakina’s autofiction novel Steppe (2022) through a post-apocalyptic lens, analyzing its function as both a physical and metaphorical space. The study examines the steppe’s connection to the themes of memory, loss, and identity, drawing on mythological, ecological, and postmodern elements to portray personal and historical catastrophe. Ultimately, the steppe emerges as a space where time, place, and trauma converge.

Kwartalnik Neofilologiczny
Jagiellonian University (PL)
Openalex Percentile: Top 3%
Soviet and Russian History
8.52
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