Women’s Narratives in Self-Portraits: Symbols, Environments and the Reconstruction of Identity-Frida Kahlo and Pan Yuliang’s Cross-Cultural Practices

This article explores the self-portraits of Frida Kahlo and Pan Yuliang, examining how these female artists used visual language to reconstruct identity in the early 20th century.Through analysis of their works' symbols and cultural contexts, it reveals how their self-portraits served as tools for self-expression, identity construction, and cultural resistance.Frida Kahlo's self-portraits, marked by raw depictions of physical and emotional pain, challenged traditional gender norms and aesthetic standards.Pan Yuliang's works, blending Eastern and Western artistic elements, reflected her struggle for self-definition in a patriarchal society.Both artists' self-portraits were not merely personal records but also visual declarations of resistance against societal constraints.Their works highlight the complex interplay of self-perception, cultural identity, and artistic expression, offering valuable insights into the broader discourse of women's art and identity politics.By studying these artists, the article aims to shed light on the evolving role of self-portraits in women's art and their significance in challenging and reshaping gender dynamics in the art world.