El documental como testigo: memorias danzarias en la Costa Chica (parte 1)
Taking as a premise that the ethnographic documentary has been one of the ways to record and show the various Afro-Mexican dances of the Costa Chica, this article argues that this genre represents an audiovisual archive for the cultures portrayed. The text displays a critical discussion in this sense and shows the methodological process used to record and edit the feature-length documentary “Diablos de El Quizá” made by the author and her work team. The ethnographic documentary then becomes a strategy that attempts to contribute to the collective memories of a community. An archive where different generations come to remember and recreate their dance memory.
Authors
- Rosa Claudia Lora Krstulovic (ORCID: https://orcid.org/0000-0003-0305-3872)
Institutions
- Centro de Investigación y Estudios Superiores en Antropología Social (MX)
Publication Details
- Journal
- Encartes
- Published
- 2025-09-22
- DOI
- https://doi.org/10.29340/en.v8n16.428
- Primary Topic
- Cinema History and Criticism
- Type
- article
- Field-Weighted Citation Impact
- 0.00