“The Power of the Poor in History”: The Role of Testimony in Liberation Theology and Russian Realism

The article analyses the correlations between Latin American liberation theology and 19th-century Russian novel. Drawing on Bakhtin’s concept of the ‘threshold chronotype’, it contextualises the aesthetic and theological language of Russian novels and liberation theology as expressions of the same ‘chronotope’ situated on the periphery of capitalism. The article argues that the violence and degradation of the Russian chronotope, from which the historical force of the poor emerges, are comparable to the violence that will later define the boundaries of representation in Latin American liberation theology. This serves as the basis for exploring how the concept of testimony, as a process of restitution of the victims’ memory, informs the theological and aesthetic grammar of liberation theology and Russian novel.