THE HEAD, THE HEART, AND THE VOID: A COMPARATIVE ANALYSIS OF DAISY BUCHANAN IN F. SCOTT FITZGERALD’S THE GREAT GATSBY AND QUEEN GERTRUDE IN SHAKESPEARE’S HAMLET

This essay offers a comparative analysis of Daisy Buchanan from F. Scott Fitzgerald’s The Great Gatsby and Queen Gertrude from William Shakespeare’s Hamlet. Despite differences in era and context, both characters exhibit a lack of introspection and an imbalance between reason (“the head”) and emotion (“the heart”), which significantly contribute to the tragic trajectories of their respective narratives. However, their moral responses diverge: Daisy displays persistent emotional detachment and an absence of remorse, while Gertrude demonstrates a subtle but discernible capacity for guilt. This comparison illuminates how these flaws shape narrative turbulence and character agency.

Publication Details

Journal
Journal of Language Culture and Education Studies
Published
2025-09-20
DOI
https://doi.org/10.61784/jlces3018
Primary Topic
American and British Literature Analysis
Type
article
Field-Weighted Citation Impact
0.00
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article

THE HEAD, THE HEART, AND THE VOID: A COMPARATIVE ANALYSIS OF DAISY BUCHANAN IN F. SCOTT FITZGERALD’S THE GREAT GATSBY AND QUEEN GERTRUDE IN SHAKESPEARE’S HAMLET

Journal of Language Culture and Education Studies
American and British Literature Analysis
article

THE HEAD, THE HEART, AND THE VOID: A COMPARATIVE ANALYSIS OF DAISY BUCHANAN IN F. SCOTT FITZGERALD’S THE GREAT GATSBY AND QUEEN GERTRUDE IN SHAKESPEARE’S HAMLET

article en

Abstract

This essay offers a comparative analysis of Daisy Buchanan from F. Scott Fitzgerald’s The Great Gatsby and Queen Gertrude from William Shakespeare’s Hamlet. Despite differences in era and context, both characters exhibit a lack of introspection and an imbalance between reason (“the head”) and emotion (“the heart”), which significantly contribute to the tragic trajectories of their respective narratives. However, their moral responses diverge: Daisy displays persistent emotional detachment and an absence of remorse, while Gertrude demonstrates a subtle but discernible capacity for guilt. This comparison illuminates how these flaws shape narrative turbulence and character agency.

Journal of Language Culture and Education StudiesVol. 2(1)
Openalex Percentile: Top 74%
American and British Literature Analysis
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