Adenda a Zurdo, gracioso despiadado de la comedia claramontesca Púsoseme el sol, saliome la luna 1

Abstract: This essay ponders and contextualizes one of the most problematic comic characters found in the Spanish comedia de santos or comedia hagiográfica : Zurdo , the gracioso in Andrés de Claramonte’s Púsoseme el sol, saliome la luna . Claramonte’s drama adds new sexual intrigue to the already salacious elements found in the legend of Saint Theodora of Alexandria, a saint and martyr from the fifth century. Claramonte’s Zurdo displays such stock elements of the gracioso as witty, satirical asides; comic pratfalls; and gluttony. But the dramaturg adds some unsettling and unusual embellishments to this characterization, invoking tropes of left-handedness as a marker of moral deviance, intensifying the left-handed imagery with allusions to theological notions of Evil, and building the action to a dramatic sequence in which Zurdo commits a rape.

Authors

Publication Details

Journal
Bulletin of the Comediantes
Published
2025-01-01
DOI
https://doi.org/10.1353/boc.2025.a970250
Primary Topic
Early Modern Spanish Literature
Type
article
Field-Weighted Citation Impact
0.00
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article

Adenda a Zurdo, gracioso despiadado de la comedia claramontesca Púsoseme el sol, saliome la luna 1

Jorge Ferreira Barrocal
Bulletin of the Comediantes
Early Modern Spanish Literature
article

Adenda a Zurdo, gracioso despiadado de la comedia claramontesca Púsoseme el sol, saliome la luna 1

Jorge Ferreira Barrocal
article en

Abstract

Abstract: This essay ponders and contextualizes one of the most problematic comic characters found in the Spanish comedia de santos or comedia hagiográfica : Zurdo , the gracioso in Andrés de Claramonte’s Púsoseme el sol, saliome la luna . Claramonte’s drama adds new sexual intrigue to the already salacious elements found in the legend of Saint Theodora of Alexandria, a saint and martyr from the fifth century. Claramonte’s Zurdo displays such stock elements of the gracioso as witty, satirical asides; comic pratfalls; and gluttony. But the dramaturg adds some unsettling and unusual embellishments to this characterization, invoking tropes of left-handedness as a marker of moral deviance, intensifying the left-handed imagery with allusions to theological notions of Evil, and building the action to a dramatic sequence in which Zurdo commits a rape.

Bulletin of the ComediantesVol. 76(1)
Openalex Percentile: Top 74%
Early Modern Spanish Literature
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