A rare silk tapestry with a hunting motif: A fusion of Iranian and Chinese art in the Middle Period (220–1600 CE)

Abstract This article presents the first examination and analysis of a fabric fragment with hunting motif discovered in the Uighur Autonomous Region of Xinjiang in present-day northwest China, which has been carbon 14 dated to the Tang dynasty. This study assesses the value of this fragment by considering its artistic features and cultural significance. The fabric patterns are partially incomplete, a hexagonal structure is discernible, and it contains motifs of Central Asian figures hunting on horseback. The iconographic method was used to analyze the pattern, color, and composition of the fabric. It was concluded that the cultural background and aesthetic qualities of the fabric reflect the fusion of Persian, Islamic, and Chinese Tang dynasty cultures, reflecting the profound cultural exchanges between Iran and China. This research exemplifies the mutual cultural exchange between two civilizations, Iran and China, highlighting Iran’s important contribution to the world.

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Publication Details

Journal
Iranian Studies
Published
2025-09-19
DOI
https://doi.org/10.1017/irn.2025.10087
Primary Topic
Eurasian Exchange Networks
Type
article
Field-Weighted Citation Impact
0.00
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article

A rare silk tapestry with a hunting motif: A fusion of Iranian and Chinese art in the Middle Period (220–1600 CE)

H Wang, H. W. Xie
Iranian Studies
Eurasian Exchange Networks
article

A rare silk tapestry with a hunting motif: A fusion of Iranian and Chinese art in the Middle Period (220–1600 CE)

H Wang, H. W. Xie
article en

Abstract

Abstract This article presents the first examination and analysis of a fabric fragment with hunting motif discovered in the Uighur Autonomous Region of Xinjiang in present-day northwest China, which has been carbon 14 dated to the Tang dynasty. This study assesses the value of this fragment by considering its artistic features and cultural significance. The fabric patterns are partially incomplete, a hexagonal structure is discernible, and it contains motifs of Central Asian figures hunting on horseback. The iconographic method was used to analyze the pattern, color, and composition of the fabric. It was concluded that the cultural background and aesthetic qualities of the fabric reflect the fusion of Persian, Islamic, and Chinese Tang dynasty cultures, reflecting the profound cultural exchanges between Iran and China. This research exemplifies the mutual cultural exchange between two civilizations, Iran and China, highlighting Iran’s important contribution to the world.

Iranian StudiesVol. 58(4)
Xi'an Polytechnic University (CN)
Openalex Percentile: Top 71%
Eurasian Exchange Networks
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