Race and Space in Rap: Conceptions of (Multi)Racial Identity and Urban Life in Rap Music

Existing research focuses on how different actors infuse space and place with social meaning. In this paper, I examine how biracial rap artists Drake, Logic, and J. Cole construct their racial identities and depict urban areas in line with the strong-willed trope prevalent in rap discourse, drawing on theories and insights regarding the production of space. Specifically, I hypothesize that these artists will affirm a Black male identity and perceive place as a hazardous environment, embracing a specific motif in rap mythology. I conducted a content analysis of 386 songs from 2010 to 2023 and found that not all identify as Black and that two artists portray their surroundings as threatening. Nonetheless, each rapper incorporates their environment as a facet of their rap persona. Focusing on biracial artists enables an exploration of meaning-making at the intersection of racial identity and socio-spatial cultural production, thereby broadening our understanding of place.

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Publication Details

Journal
Arts
Published
2025-09-18
DOI
https://doi.org/10.3390/arts14050112
Primary Topic
Music History and Culture
Type
article
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article

Race and Space in Rap: Conceptions of (Multi)Racial Identity and Urban Life in Rap Music

Matthew Oware
Arts
Music History and Culture
article

Race and Space in Rap: Conceptions of (Multi)Racial Identity and Urban Life in Rap Music

Matthew Oware
article en

Abstract

Existing research focuses on how different actors infuse space and place with social meaning. In this paper, I examine how biracial rap artists Drake, Logic, and J. Cole construct their racial identities and depict urban areas in line with the strong-willed trope prevalent in rap discourse, drawing on theories and insights regarding the production of space. Specifically, I hypothesize that these artists will affirm a Black male identity and perceive place as a hazardous environment, embracing a specific motif in rap mythology. I conducted a content analysis of 386 songs from 2010 to 2023 and found that not all identify as Black and that two artists portray their surroundings as threatening. Nonetheless, each rapper incorporates their environment as a facet of their rap persona. Focusing on biracial artists enables an exploration of meaning-making at the intersection of racial identity and socio-spatial cultural production, thereby broadening our understanding of place.

ArtsVol. 14(5)
University of Richmond (US)
Openalex Percentile: Top 74%
Music History and Culture
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Race and Space in Rap: Conceptions of (Multi)Racial Identity and Urban Life in Rap Music — Matthew Oware · Arts (2025) | TGRS Research Map | TGRS