Reconfiguring Screenplay Authorship in the Age of AI Agents: Co-Creation and Industrial Implications

This study examines how the rise of AI agents, exemplified by large language models such as GPT, is transforming screenplay authorship and creative labor in the film industry. Drawing on theories of authorship (Barthes, Foucault) and recent institutional developments, including the Writers Guild of America’s 2023 Minimum Basic Agreement on generative AI, the paper analyzes AI’s role as a participatory agent in co-creative writing processes. Through case studies and industry practices, it explores how AI shifts the screenwriter’s role from solitary storyteller to narrative designer and curator, altering the distribution of labor, authorship attribution, and industrial workflows. The findings indicate that AI agents neither fully replace nor merely assist human authors but reconfigure authorship into a distributed process involving human judgment, algorithmic generation, and platform mediation. This redefinition calls for updated industrial standards, legal frameworks, and ethical guidelines that address co-authorship, creative agency, and the valuation of AI contributions. The paper concludes by highlighting the necessity of interdisciplinary approaches to understand and govern AI–human collaboration in screenwriting.

Authors

Publication Details

Journal
Journal of Korea Multimedia Society
Published
2025-08-31
DOI
https://doi.org/10.9717/kmms.2025.28.8.1136
Primary Topic
Law, AI, and Intellectual Property
Type
article
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article

Reconfiguring Screenplay Authorship in the Age of AI Agents: Co-Creation and Industrial Implications

Eunjin Choi, Minyoung Son
Journal of Korea Multimedia Society
Law, AI, and Intellectual Property
article

Reconfiguring Screenplay Authorship in the Age of AI Agents: Co-Creation and Industrial Implications

Eunjin Choi, Minyoung Son
article en

Abstract

This study examines how the rise of AI agents, exemplified by large language models such as GPT, is transforming screenplay authorship and creative labor in the film industry. Drawing on theories of authorship (Barthes, Foucault) and recent institutional developments, including the Writers Guild of America’s 2023 Minimum Basic Agreement on generative AI, the paper analyzes AI’s role as a participatory agent in co-creative writing processes. Through case studies and industry practices, it explores how AI shifts the screenwriter’s role from solitary storyteller to narrative designer and curator, altering the distribution of labor, authorship attribution, and industrial workflows. The findings indicate that AI agents neither fully replace nor merely assist human authors but reconfigure authorship into a distributed process involving human judgment, algorithmic generation, and platform mediation. This redefinition calls for updated industrial standards, legal frameworks, and ethical guidelines that address co-authorship, creative agency, and the valuation of AI contributions. The paper concludes by highlighting the necessity of interdisciplinary approaches to understand and govern AI–human collaboration in screenwriting.

Journal of Korea Multimedia SocietyVol. 28(8)
Openalex Percentile: Top 87%
Law, AI, and Intellectual Property
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Reconfiguring Screenplay Authorship in the Age of AI Agents: Co-Creation and Industrial Implications — Eunjin Choi, Minyoung Son · Journal of Korea Multimedia Society (2025) | TGRS Research Map | TGRS