Immediate and lasting experiences of a classical concert

Objective: This article examines the classical concert experience, with a particular focus on the connection between immediate impressions after the concert and memories of the concert several weeks later. Methods: Qualitative interviews were conducted with participants of the study immediately after the concert. A second survey was conducted six weeks later. These studies were compared, analysing the immediate experience (interviews) and the lasting memories (survey) of the concert event. Results: The findings indicate that most respondents expressed positive evaluations of the concert and the music. The visual impressions regarding the musicians, the emotional proximity to the music and the concert venue are of particular significance regarding the concert experience. The study offers novel perspectives on the field of classical concert studies and provides insights into enhancing the accessibility of classical concerts for a broader audience. Via empirical-based audience studies, this study supports audience development in the field of classical music concerts.

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Publication Details

Journal
Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik
Published
2025-03-01
DOI
https://doi.org/10.1177/27018466251350288
Citations
3
Primary Topic
Theatre and Performance Studies
Type
article
Field-Weighted Citation Impact
80.78
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article

Immediate and lasting experiences of a classical concert

Christian Weining, Martin Tröndle, Hanna Böndel
3 citations
Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und Kulturpolitik
Theatre and Performance Studies
80.78
article

Immediate and lasting experiences of a classical concert

Christian Weining, Martin Tröndle, Hanna Böndel
article en
3 citations

Abstract

Objective: This article examines the classical concert experience, with a particular focus on the connection between immediate impressions after the concert and memories of the concert several weeks later. Methods: Qualitative interviews were conducted with participants of the study immediately after the concert. A second survey was conducted six weeks later. These studies were compared, analysing the immediate experience (interviews) and the lasting memories (survey) of the concert event. Results: The findings indicate that most respondents expressed positive evaluations of the concert and the music. The visual impressions regarding the musicians, the emotional proximity to the music and the concert venue are of particular significance regarding the concert experience. The study offers novel perspectives on the field of classical concert studies and provides insights into enhancing the accessibility of classical concerts for a broader audience. Via empirical-based audience studies, this study supports audience development in the field of classical music concerts.

Journal of Cultural Management and Cultural Policy / Zeitschrift für Kulturmanagement und KulturpolitikVol. 11(1)
Zeppelin Universität gemeinnützige GmbH (DE)
Openalex Percentile: Top 0%
Theatre and Performance Studies
80.78
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