Remembering and Reimagining the “Old South” in Mississippi

This essay highlights Natchez, Mississippi’s Confederate heritage tourism to illustrate interrelationships between memory, history, and imagination, and how performed commemorations critically shape nationalist ideals and beliefs. Memories—and the bodies that pass them—shape the politically charged terrain of imagined nations, which are uncertain and collectively negotiated. To illustrate the contested nature of historical memory and how performing the past reimagines and reshapes the present and future nation, I juxtapose the Confederate Pageant’s nostalgic, rosy-tinted view of the Old South with examples of contemporary Black-centered commemorations and heritage tourism in Natchez. The dissonance and tension between these opposing forces illustrate interrelationships between memory and history, how these are critical to sustaining nationalism, and how performed commemorations of the past—whether historically accurate or imagined—critically shape ideals and beliefs about race and the nation. I use Natchez to undergird broad questions about the nature of memory and history, which are axiomatically contested and fallible. I use examples of Black commemoration in Natchez to illustrate antiracist theories of historiography.

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Publication Details

Journal
Genealogy
Published
2025-09-16
DOI
https://doi.org/10.3390/genealogy9030098
Primary Topic
Latin American and Latino Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Remembering and Reimagining the “Old South” in Mississippi

Teresa Simone
Genealogy
Latin American and Latino Studies
article

Remembering and Reimagining the “Old South” in Mississippi

Teresa Simone
article en

Abstract

This essay highlights Natchez, Mississippi’s Confederate heritage tourism to illustrate interrelationships between memory, history, and imagination, and how performed commemorations critically shape nationalist ideals and beliefs. Memories—and the bodies that pass them—shape the politically charged terrain of imagined nations, which are uncertain and collectively negotiated. To illustrate the contested nature of historical memory and how performing the past reimagines and reshapes the present and future nation, I juxtapose the Confederate Pageant’s nostalgic, rosy-tinted view of the Old South with examples of contemporary Black-centered commemorations and heritage tourism in Natchez. The dissonance and tension between these opposing forces illustrate interrelationships between memory and history, how these are critical to sustaining nationalism, and how performed commemorations of the past—whether historically accurate or imagined—critically shape ideals and beliefs about race and the nation. I use Natchez to undergird broad questions about the nature of memory and history, which are axiomatically contested and fallible. I use examples of Black commemoration in Natchez to illustrate antiracist theories of historiography.

GenealogyVol. 9(3)
University of Mississippi (US)
Openalex Percentile: Top 70%
Latin American and Latino Studies
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