Modeling analysis of perceived differences in product appearance design based on visual communication

Aiming at the problems of reliance on subjective evaluation and imperfect index systems in the modeling of perceived differences in product appearance design, this study proposes a quantitative analysis method of improving the Contrastive Language-Image Pre-training (CLIP) model. Based on the theoretical framework of visual semiotics, the visual communication mechanism is analyzed from the dimensions of morphological layer (physical structure of color and form), semantic layer (symbolic meaning of color symbolism and morphological metaphor), and pragmatic layer (user cognitive logic and cultural background). First, the channel attention mechanism is introduced to construct a joint embedding space of color, form, and semantics. The geometric features are extracted from the morphological grammar. The color and texture combinations with strong emotional relevance are screened based on the design semantics theory. The key design elements are deconstructed from a theoretical level to enhance the ability to align visual and textual features. Secondly, the CLIP model is improved to extract fine-grained visual-text embedding, and a 12-dimensional perceptual difference matrix is generated through cosine similarity. A dual-path feature interaction module is designed: the visual path uses Grad-CAM++ to locate key morphological areas, and the semantic path improves the text style transfer capability through adversarial training, and uses GRU to achieve cross-modal dynamic fusion. The gradient weighted class activation mapping technology is further combined to visualize the model's attention area, and the contribution weights of color, texture, shape and other factors to the perceptual difference are quantified through Shapley value decomposition. Experiments show that this method reduces the error in cross-cultural perceptual prediction, the top-5 accuracy of cross-modal matching is as high as 0.85, and the median MSE of perceptual difference quantification is reduced to 0.13, which effectively solves the problems of insufficient objective quantification and a lack of an indicator system.

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Publication Details

Journal
International Journal for Simulation and Multidisciplinary Design Optimization
Published
2025-01-01
DOI
https://doi.org/10.1051/smdo/2025016
Primary Topic
Color perception and design
Type
article
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article

Modeling analysis of perceived differences in product appearance design based on visual communication

Jing Liu
International Journal for Simulation and Multidisciplinary Design Optimization
Color perception and design
article

Modeling analysis of perceived differences in product appearance design based on visual communication

Jing Liu
article en

Abstract

Aiming at the problems of reliance on subjective evaluation and imperfect index systems in the modeling of perceived differences in product appearance design, this study proposes a quantitative analysis method of improving the Contrastive Language-Image Pre-training (CLIP) model. Based on the theoretical framework of visual semiotics, the visual communication mechanism is analyzed from the dimensions of morphological layer (physical structure of color and form), semantic layer (symbolic meaning of color symbolism and morphological metaphor), and pragmatic layer (user cognitive logic and cultural background). First, the channel attention mechanism is introduced to construct a joint embedding space of color, form, and semantics. The geometric features are extracted from the morphological grammar. The color and texture combinations with strong emotional relevance are screened based on the design semantics theory. The key design elements are deconstructed from a theoretical level to enhance the ability to align visual and textual features. Secondly, the CLIP model is improved to extract fine-grained visual-text embedding, and a 12-dimensional perceptual difference matrix is generated through cosine similarity. A dual-path feature interaction module is designed: the visual path uses Grad-CAM++ to locate key morphological areas, and the semantic path improves the text style transfer capability through adversarial training, and uses GRU to achieve cross-modal dynamic fusion. The gradient weighted class activation mapping technology is further combined to visualize the model's attention area, and the contribution weights of color, texture, shape and other factors to the perceptual difference are quantified through Shapley value decomposition. Experiments show that this method reduces the error in cross-cultural perceptual prediction, the top-5 accuracy of cross-modal matching is as high as 0.85, and the median MSE of perceptual difference quantification is reduced to 0.13, which effectively solves the problems of insufficient objective quantification and a lack of an indicator system.

International Journal for Simulation and Multidisciplinary Design OptimizationVol. 16
Jingdezhen Ceramic Institute (CN)
Openalex Percentile: Top 71%
Color perception and design
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