Architecture and Armour in Heritage Discourse: Form, Function, and Symbolism

This article proposes a comparative framework for interpreting architectural and armorial artefacts through morphological and symbolic analysis. Focusing on the Romanesque, Gothic, and Renaissance periods, the study explores how buildings and body armour—though differing in scale and function—encode similar cultural values related to protection, identity, and representation. Rather than seeking direct historical transmission, the research reveals convergent design logics shaped by shared symbolic imperatives. Methodologically, the article combines typological comparison with embodied heritage practices. These include experimental reconstruction, traditional stone carving, and field-based conservation conducted through the Ambulance for Monuments (Ambulanța pentru Monumente) programme. Such experiences support a situated understanding of proportion, articulation, and material behaviour in both architecture and armour. By repositioning historical armour as a culturally meaningful artefact rooted in craft knowledge and symbolic logic, the study contributes to current debates in heritage science. It argues for the inclusion of martial objects within broader frameworks of heritage interpretation. The findings highlight how architecture and armour function as co-expressive elements of a shared design culture, offering new insights for research, conservation, and the communication of historical meaning.

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Publication Details

Journal
Heritage
Published
2025-09-16
DOI
https://doi.org/10.3390/heritage8090382
Citations
1
Primary Topic
Cultural Heritage Management and Preservation
Type
article
Field-Weighted Citation Impact
8.27
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article

Architecture and Armour in Heritage Discourse: Form, Function, and Symbolism

Ivett-Greta Zsak, Iasmina Onescu, Adrian Horațiu Pescaru
1 citations
Heritage
Cultural Heritage Management and Preservation
8.27
article

Architecture and Armour in Heritage Discourse: Form, Function, and Symbolism

Ivett-Greta Zsak, Iasmina Onescu, Adrian Horațiu Pescaru
article en
1 citations

Abstract

This article proposes a comparative framework for interpreting architectural and armorial artefacts through morphological and symbolic analysis. Focusing on the Romanesque, Gothic, and Renaissance periods, the study explores how buildings and body armour—though differing in scale and function—encode similar cultural values related to protection, identity, and representation. Rather than seeking direct historical transmission, the research reveals convergent design logics shaped by shared symbolic imperatives. Methodologically, the article combines typological comparison with embodied heritage practices. These include experimental reconstruction, traditional stone carving, and field-based conservation conducted through the Ambulance for Monuments (Ambulanța pentru Monumente) programme. Such experiences support a situated understanding of proportion, articulation, and material behaviour in both architecture and armour. By repositioning historical armour as a culturally meaningful artefact rooted in craft knowledge and symbolic logic, the study contributes to current debates in heritage science. It argues for the inclusion of martial objects within broader frameworks of heritage interpretation. The findings highlight how architecture and armour function as co-expressive elements of a shared design culture, offering new insights for research, conservation, and the communication of historical meaning.

HeritageVol. 8(9)
Technical University of Cluj-Napoca (RO), University of Oradea (RO), Polytechnic University of Timişoara (RO)
Openalex Percentile: Top 3%
Cultural Heritage Management and Preservation
8.27
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