A műanyag mint műtárgyalkotó inhibitív konzerválási lehetőségei

Plastics as works of art. Possibilities of inhibitive conservation The conservation of plastics is the youngest branch of the scientific field of conservation. The topic ‘plastic conservation’ appeared abroad as early as the 1960s, but it remained a topic limited exclusively to the problems associated with modern paintings for about two decades. The conservation of artworks incorporating plastics only became the subject of symposia, workshops, and conferences at the end of the 1980s and has been part of university education since 1998, mostly embedded in specializations usually called modern and contemporary art conservation. Despite its novelty, the conservation of plastics is a rapidly developing field; however, one that is still severely neglected in Hungary, although artefacts made of or containing are part of the collections of Hungarian museums and art galleries. Artificial polymers can be found in historical and technical works of art and thematic collections (ethnographic and household items, clothing, or toys). Is it widely believed that plastic objects do not need particular care because they look relatively young. But that is not true; compared with traditional materials, plastics degrade more rapidly. The conservation of artificial polymers has either been avoided or overlooked due to ignorance thus far; recognising them as a type of material present in artefacts requires a shift of approach from Hungarian museology and, in broader sense, the entire society. The moment plastic artefacts are recognized as representations of human intention and ability, and are considered cultural heritage, the need to artificially extend their relatively short lifespan becomes apparent. The author has been actively researching plastics since 2021, continuing the work within the frame of a doctoral programme by the Doctoral School of the Hungarian University of Fine Arts. This paper is a brief summary of her dissertation, the result of in-depth research of foreign literature about the preventive conservation of artefacts made of plastic.

Authors

Institutions

Publication Details

Journal
Műtárgyvédelem
Published
2025-01-01
DOI
https://doi.org/10.63396/598759ysdxfb
Primary Topic
Conservation Techniques and Studies
Type
article
Field-Weighted Citation Impact
0.00
Controls
|||
ALL TIME
JAN
FEB
MAR
APR
MAY
JUN
JUL
AUG
SEP
OCT
article

A műanyag mint műtárgyalkotó inhibitív konzerválási lehetőségei

Eszter Tóth
Műtárgyvédelem
Conservation Techniques and Studies
article

A műanyag mint műtárgyalkotó inhibitív konzerválási lehetőségei

Eszter Tóth
article en

Abstract

Plastics as works of art. Possibilities of inhibitive conservation The conservation of plastics is the youngest branch of the scientific field of conservation. The topic ‘plastic conservation’ appeared abroad as early as the 1960s, but it remained a topic limited exclusively to the problems associated with modern paintings for about two decades. The conservation of artworks incorporating plastics only became the subject of symposia, workshops, and conferences at the end of the 1980s and has been part of university education since 1998, mostly embedded in specializations usually called modern and contemporary art conservation. Despite its novelty, the conservation of plastics is a rapidly developing field; however, one that is still severely neglected in Hungary, although artefacts made of or containing are part of the collections of Hungarian museums and art galleries. Artificial polymers can be found in historical and technical works of art and thematic collections (ethnographic and household items, clothing, or toys). Is it widely believed that plastic objects do not need particular care because they look relatively young. But that is not true; compared with traditional materials, plastics degrade more rapidly. The conservation of artificial polymers has either been avoided or overlooked due to ignorance thus far; recognising them as a type of material present in artefacts requires a shift of approach from Hungarian museology and, in broader sense, the entire society. The moment plastic artefacts are recognized as representations of human intention and ability, and are considered cultural heritage, the need to artificially extend their relatively short lifespan becomes apparent. The author has been actively researching plastics since 2021, continuing the work within the frame of a doctoral programme by the Doctoral School of the Hungarian University of Fine Arts. This paper is a brief summary of her dissertation, the result of in-depth research of foreign literature about the preventive conservation of artefacts made of plastic.

Műtárgyvédelem(40)
Hungarian National Museum (HU)
Openalex Percentile: Top 70%
Conservation Techniques and Studies
AI Navigator

Ask Laika to Summarize, Analyze, and Connect papers live on the map.

Summarize Papers & Methodologies

Extract key findings, datasets, and comparative methods across publications.

Benchmark Rankings & Visual Analytics

Rank top research institutions, authors, funders, topics, and journals by Field-Weighted Citation Impact (FWCI) and paper volume with instant charts.

Connect Distant Disciplines

Bridge topological clusters on the map to find hidden collaborative intersections.