Ipotesi sulle origini della festa: le Quadriglie del carnevale di Palma Campania tra migrazione culturale e radicamento endogeno

This contribution examines the Carnival of Palma Campania, near Na-ples, as a dynamic ritual space shaped by both local rootedness and cultural mi-gration. Through in-depth ethnographic research, the author investigates the ori-gins of the quadriglie—spectacular formations combining live music, choreogra-phy, and elaborate costumes—proposing a dual genealogy: one endogenous, linked to the agrarian ritual cycles of rural Campania, and one exogenous, tied to cultural flows between Naples and its hinterland. The carnival is framed as a symbolic la-boratory for negotiating identity, memory, and processes of heritage-making, wherein social tensions and communal affiliations are continuously rearticulated. Musical practices, in particular, function as semiotic and affective codes, generat-ing cohesion and a sense of belonging.

Authors

Publication Details

Journal
Rivista Italiana di Antropologia Applicata
Published
2025-06-30
DOI
https://doi.org/10.32054/2499-1848-2025-1-2
Primary Topic
Historical and Environmental Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Ipotesi sulle origini della festa: le Quadriglie del carnevale di Palma Campania tra migrazione culturale e radicamento endogeno

Pasquale Iorio
Rivista Italiana di Antropologia Applicata
Historical and Environmental Studies
article

Ipotesi sulle origini della festa: le Quadriglie del carnevale di Palma Campania tra migrazione culturale e radicamento endogeno

Pasquale Iorio
article en

Abstract

This contribution examines the Carnival of Palma Campania, near Na-ples, as a dynamic ritual space shaped by both local rootedness and cultural mi-gration. Through in-depth ethnographic research, the author investigates the ori-gins of the quadriglie—spectacular formations combining live music, choreogra-phy, and elaborate costumes—proposing a dual genealogy: one endogenous, linked to the agrarian ritual cycles of rural Campania, and one exogenous, tied to cultural flows between Naples and its hinterland. The carnival is framed as a symbolic la-boratory for negotiating identity, memory, and processes of heritage-making, wherein social tensions and communal affiliations are continuously rearticulated. Musical practices, in particular, function as semiotic and affective codes, generat-ing cohesion and a sense of belonging.

Rivista Italiana di Antropologia ApplicataVol. 11(1)
Openalex Percentile: Top 67%
Historical and Environmental Studies
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