Eugene O’Neill and John Masefield: The Hounds of Heaven and Hell

ABSTRACT The prominent English poet, playwright, and novelist John Masefield has hardly figured at all in discussions of literary influences on Eugene O’Neill’s writing, and yet many points of crossover can be analyzed. Moreover, the very pattern of Masefield’s life and early career can be mapped onto O’Neill’s, suggesting that O’Neill (a decade younger) might have articulated his aesthetic choices in terms of what he knew about this experimental writer. Masefield became famous with his explorations of maritime life, notably in his most famous poem, “Sea-Fever,” which O’Neill respectfully parodied, but he also explored folk tragedy in plays like The Tragedy of Nan, which might have influenced O’Neill’s early naturalism. The impact of Masefield’s thematic novels and his full-length verse plays can also be discerned. Masefield’s twisted version of Francis Thompson’s “The Hound of Heaven,” which O’Neill was known to recite at length, can be seen as an influence on The Emperor Jones.

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Publication Details

Journal
The Eugene O Neill Review
Published
2025-09-01
DOI
https://doi.org/10.5325/eugeoneirevi.46.2.0164
Primary Topic
Cultural Studies and Interdisciplinary Research
Type
article
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article

Eugene O’Neill and John Masefield: The Hounds of Heaven and Hell

William Davies King
The Eugene O Neill Review
Cultural Studies and Interdisciplinary Research
article

Eugene O’Neill and John Masefield: The Hounds of Heaven and Hell

William Davies King
article en

Abstract

ABSTRACT The prominent English poet, playwright, and novelist John Masefield has hardly figured at all in discussions of literary influences on Eugene O’Neill’s writing, and yet many points of crossover can be analyzed. Moreover, the very pattern of Masefield’s life and early career can be mapped onto O’Neill’s, suggesting that O’Neill (a decade younger) might have articulated his aesthetic choices in terms of what he knew about this experimental writer. Masefield became famous with his explorations of maritime life, notably in his most famous poem, “Sea-Fever,” which O’Neill respectfully parodied, but he also explored folk tragedy in plays like The Tragedy of Nan, which might have influenced O’Neill’s early naturalism. The impact of Masefield’s thematic novels and his full-length verse plays can also be discerned. Masefield’s twisted version of Francis Thompson’s “The Hound of Heaven,” which O’Neill was known to recite at length, can be seen as an influence on The Emperor Jones.

The Eugene O Neill ReviewVol. 46(2)
University of California, Santa Barbara (US)
Openalex Percentile: Top 76%
Cultural Studies and Interdisciplinary Research
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