A Ploughman’s Sense of the Past

The article discusses the concept of the past in Hesiod’s Works & Days. I argue that, contrary to traditional belief, Hesiod’s second poem does not focus on myths, but on the social reality he knew from experience, about which he makes pessimistic remarks. Hesiod strengthens his argument by recounting a particularly striking story about the five generations of humanity, from the best to the worst. This story serves the poet as an illustration and confirmation of his gloomy observations about the moral condition of his fellow Greeks. However, I also argue that despite having only oral accounts of the past (myths) at his disposal, Hesiod – the performer of public songs – was aware of the existence of categories of the past and of past events, regardless of how oral reports had rearranged them. I cite his distinction between truth and falsehood when reporting past events as evidence for this; such a distinction appears in ‘a confession’ of the Muses (Theog. 27–28).

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Publication Details

Journal
Symbolae Philologorum Posnaniensium Graecae et Latinae
Published
2025-09-15
DOI
https://doi.org/10.14746/sppgl.2025.xxxv.1.3
Primary Topic
Historical and Literary Analyses
Type
article
Field-Weighted Citation Impact
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article

A Ploughman’s Sense of the Past

Bogdan Burliga
Symbolae Philologorum Posnaniensium Graecae et Latinae
Historical and Literary Analyses
article

A Ploughman’s Sense of the Past

Bogdan Burliga
article en

Abstract

The article discusses the concept of the past in Hesiod’s Works & Days. I argue that, contrary to traditional belief, Hesiod’s second poem does not focus on myths, but on the social reality he knew from experience, about which he makes pessimistic remarks. Hesiod strengthens his argument by recounting a particularly striking story about the five generations of humanity, from the best to the worst. This story serves the poet as an illustration and confirmation of his gloomy observations about the moral condition of his fellow Greeks. However, I also argue that despite having only oral accounts of the past (myths) at his disposal, Hesiod – the performer of public songs – was aware of the existence of categories of the past and of past events, regardless of how oral reports had rearranged them. I cite his distinction between truth and falsehood when reporting past events as evidence for this; such a distinction appears in ‘a confession’ of the Muses (Theog. 27–28).

Symbolae Philologorum Posnaniensium Graecae et LatinaeVol. 35(1)
University of Gdańsk (PL)
Openalex Percentile: Top 75%
Historical and Literary Analyses
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A Ploughman’s Sense of the Past — Bogdan Burliga · Symbolae Philologorum Posnaniensium Graecae et Latinae (2025) | TGRS Research Map | TGRS