Designing <i>Desire Under the Elms</i>

ABSTRACT Eugene O’Neill was never satisfied with designs for Desire Under the Elms, apparently not even Robert Edmond Jones’s. The playwright complained to Kenneth Macgowan, “Has Desire ever been produced as I wrote it? Never! There have never been the elm trees of my play, characters almost, and . . . the house as character, the acts as smooth developing wholes have never existed.” In this interview, with accompanying visuals of their research and design processes, scenic designers Andrea Ball, Gennie Neuman-Lambert, and Richard Finklestein explore the play in light of Jones’s iconic 1924 scenic design.

Authors

Publication Details

Journal
The Eugene O Neill Review
Published
2025-09-01
DOI
https://doi.org/10.5325/eugeoneirevi.46.2.0183
Primary Topic
Cultural Studies and Interdisciplinary Research
Type
article
Field-Weighted Citation Impact
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article

Designing Desire Under the Elms

Anne Fletcher
The Eugene O Neill Review
Cultural Studies and Interdisciplinary Research
article

Designing Desire Under the Elms

Anne Fletcher
article en

Abstract

ABSTRACT Eugene O’Neill was never satisfied with designs for Desire Under the Elms, apparently not even Robert Edmond Jones’s. The playwright complained to Kenneth Macgowan, “Has Desire ever been produced as I wrote it? Never! There have never been the elm trees of my play, characters almost, and . . . the house as character, the acts as smooth developing wholes have never existed.” In this interview, with accompanying visuals of their research and design processes, scenic designers Andrea Ball, Gennie Neuman-Lambert, and Richard Finklestein explore the play in light of Jones’s iconic 1924 scenic design.

The Eugene O Neill ReviewVol. 46(2)
Openalex Percentile: Top 76%
Cultural Studies and Interdisciplinary Research
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Designing <i>Desire Under the Elms</i> — Anne Fletcher · The Eugene O Neill Review (2025) | TGRS Research Map | TGRS