Laying on the Irish? <i>“Anna Christie”</i> in Ireland

ABSTRACT Eugene O’Neill’s drama portraying a converted prostitute, an unlikely love story, and the redemption of a Swedish American father-daughter duo might seem quintessentially American. But “Anna Christie” is also a play that resonates significantly with Ireland. This is true not only because Anna’s love interest, Mat Burke, is one of O’Neill’s most memorable Irish sailors, or because Irish theater was formative to O’Neill’s writing but also because the production history of “Anna Christie” is connected to Irish identity and the struggle for independence. This means not only plot elements, such as Anna’s battles to survive her past traumas, but also the violent historical moments in which the play appeared: the 1921 partition in Ireland up through World War Two. This article charts a British touring production to Northern Ireland in 1924, as well as productions at the Gate Theatre (1929, 1943, and 1953) and a recent revival in New Ross, Ireland in 2023.

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Publication Details

Journal
The Eugene O Neill Review
Published
2025-09-01
DOI
https://doi.org/10.5325/eugeoneirevi.46.2.0134
Primary Topic
Irish and British Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Laying on the Irish? “Anna Christie” in Ireland

Katie N. Johnson
The Eugene O Neill Review
Irish and British Studies
article

Laying on the Irish? “Anna Christie” in Ireland

Katie N. Johnson
article en

Abstract

ABSTRACT Eugene O’Neill’s drama portraying a converted prostitute, an unlikely love story, and the redemption of a Swedish American father-daughter duo might seem quintessentially American. But “Anna Christie” is also a play that resonates significantly with Ireland. This is true not only because Anna’s love interest, Mat Burke, is one of O’Neill’s most memorable Irish sailors, or because Irish theater was formative to O’Neill’s writing but also because the production history of “Anna Christie” is connected to Irish identity and the struggle for independence. This means not only plot elements, such as Anna’s battles to survive her past traumas, but also the violent historical moments in which the play appeared: the 1921 partition in Ireland up through World War Two. This article charts a British touring production to Northern Ireland in 1924, as well as productions at the Gate Theatre (1929, 1943, and 1953) and a recent revival in New Ross, Ireland in 2023.

The Eugene O Neill ReviewVol. 46(2)
Miami University (US)
Openalex Percentile: Top 67%
Irish and British Studies
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