Media choice and audience perceptions: Evidence from visual framing of immigration in news stories

Where does visual media bias come from, and how is it reinforced? This study investigates the often overlooked interplay between the visual frames chosen by media outlets for politically charged news stories and how these frames are perceived by their audiences. Using computer vision tools and qualitative content analysis, we analyzed over 2,000 images from 393 media outlets on X. Our findings reveal that U.S. media outlets across the political spectrum consistently emphasize visual narratives that align with their ideological stances while minimizing opposing viewpoints. Their partisan audiences assign identity-driven interpretations to identical visuals, turning them into instruments of antagonistic narratives even without any textual or source cues. This reveals a critical implication: the perceived bias is not merely a product of the media's framing choices, but also a reflection of how audiences project their ideological filters onto these frames. This study helps us understand how the interplay between media frame curation and partisan interpretations reinforces and perpetuates existing divides.

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Publication Details

Journal
PLoS ONE
Published
2025-09-15
DOI
https://doi.org/10.1371/journal.pone.0331219
Citations
1
Primary Topic
Media Influence and Politics
Type
article
Field-Weighted Citation Impact
4.20
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article

Media choice and audience perceptions: Evidence from visual framing of immigration in news stories

Olga Gasparyan, Elena Sirotkina
1 citations
PLoS ONE
Media Influence and Politics
4.20
article

Media choice and audience perceptions: Evidence from visual framing of immigration in news stories

Olga Gasparyan, Elena Sirotkina
article en
1 citations

Abstract

Where does visual media bias come from, and how is it reinforced? This study investigates the often overlooked interplay between the visual frames chosen by media outlets for politically charged news stories and how these frames are perceived by their audiences. Using computer vision tools and qualitative content analysis, we analyzed over 2,000 images from 393 media outlets on X. Our findings reveal that U.S. media outlets across the political spectrum consistently emphasize visual narratives that align with their ideological stances while minimizing opposing viewpoints. Their partisan audiences assign identity-driven interpretations to identical visuals, turning them into instruments of antagonistic narratives even without any textual or source cues. This reveals a critical implication: the perceived bias is not merely a product of the media's framing choices, but also a reflection of how audiences project their ideological filters onto these frames. This study helps us understand how the interplay between media frame curation and partisan interpretations reinforces and perpetuates existing divides.

PLoS ONEVol. 20(9)
Florida State University (US), New York University (US)
Openalex Percentile: Top 6%
Media Influence and Politics
4.20
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Media choice and audience perceptions: Evidence from visual framing of immigration in news stories — Olga Gasparyan, Elena Sirotkina · PLoS ONE (2025) | TGRS Research Map | TGRS