“Wouldst Thou Like to Live Deliciously?” Robert Eggers’s <i>The Witch</i> (2015) as a Miltonian Temptation Narrative

ABSTRACT Filmmaker Robert Eggers may not have intentionally set out to adapt the works of John Milton, but his 2015 horror film The Witch evokes Milton’s many temptation narratives, especially A Mask Presented at Ludlow Castle. Set in 1630s New England, the movie tells the story of a devout English farming family who loses their infant son to a witch and gradually comes undone. Eggers, who has acknowledged Milton’s influence on his film, constructs a Miltonian universe to explore the psychological aftermath of fear and tragedy that accompanies the family’s isolation; he focuses on the suffering and possible liberation of the daughter Thomasin as she ultimately confronts the devil in the woods. Analyzing The Witch in relation to Milton sheds new light on the power and, paradoxically, the limitations of his various scenes of temptation in his major works.

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Publication Details

Journal
Milton Studies
Published
2025-09-01
DOI
https://doi.org/10.5325/miltonstudies.67.2.0297
Primary Topic
Shakespeare, Adaptation, and Literary Criticism
Type
article
Field-Weighted Citation Impact
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article

“Wouldst Thou Like to Live Deliciously?” Robert Eggers’s The Witch (2015) as a Miltonian Temptation Narrative

Greg M. Colón Semenza
Milton Studies
Shakespeare, Adaptation, and Literary Criticism
article

“Wouldst Thou Like to Live Deliciously?” Robert Eggers’s The Witch (2015) as a Miltonian Temptation Narrative

Greg M. Colón Semenza
article en

Abstract

ABSTRACT Filmmaker Robert Eggers may not have intentionally set out to adapt the works of John Milton, but his 2015 horror film The Witch evokes Milton’s many temptation narratives, especially A Mask Presented at Ludlow Castle. Set in 1630s New England, the movie tells the story of a devout English farming family who loses their infant son to a witch and gradually comes undone. Eggers, who has acknowledged Milton’s influence on his film, constructs a Miltonian universe to explore the psychological aftermath of fear and tragedy that accompanies the family’s isolation; he focuses on the suffering and possible liberation of the daughter Thomasin as she ultimately confronts the devil in the woods. Analyzing The Witch in relation to Milton sheds new light on the power and, paradoxically, the limitations of his various scenes of temptation in his major works.

Milton StudiesVol. 67(2)
Openalex Percentile: Top 75%
Shakespeare, Adaptation, and Literary Criticism
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