AN ATTEMPT TO INTRODUCE SOUND IMPROVISATION IN PRE-SERVICE TEACHERS’ MUSIC EDUCATION

Academy of Fine Arts Sarajevo, and the Faculty of Education at the University of Ljubljana, were enrolled in the study. The study aims to explore how students perceived our attempt and if their perceptions are related to the use of music in everyday life. Before the workshop students reported how they regulated mood through music (The Brief Music in Mood Regulation scale (B-MMR). Students’ experiences of the workshops were measured through three-dimensional (affective, cognitive, and conative) Connotative differential scales (CD-9). Results reveal that student’s workshop experiences have a positive meaning in the semantic space. The differences between students from different universities were not statistically significant. Positive affective- evaluative adjectives (pleasant, attractive, and good) have the most important role in describing experiences. Also, highly engaged music users who regulate different moods through music had a stronger tendency to describe workshops’ experiences with positive affective adjectives. The implications of the results for the future use of the introduction sound play and improvisation in teachers’ music education will be discussed.

Authors

Publication Details

Journal
Journal of Educational Sciences Theory and Practice
Published
2025-09-09
DOI
https://doi.org/10.46763/jespt2520110z
Primary Topic
Diverse Music Education Insights
Type
article
Field-Weighted Citation Impact
0.00
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article

AN ATTEMPT TO INTRODUCE SOUND IMPROVISATION IN PRE-SERVICE TEACHERS’ MUSIC EDUCATION

Marina Videnović, Maja Žmukić, Mirsada Zećo
Journal of Educational Sciences Theory and Practice
Diverse Music Education Insights
article

AN ATTEMPT TO INTRODUCE SOUND IMPROVISATION IN PRE-SERVICE TEACHERS’ MUSIC EDUCATION

Marina Videnović, Maja Žmukić, Mirsada Zećo
article en

Abstract

Academy of Fine Arts Sarajevo, and the Faculty of Education at the University of Ljubljana, were enrolled in the study. The study aims to explore how students perceived our attempt and if their perceptions are related to the use of music in everyday life. Before the workshop students reported how they regulated mood through music (The Brief Music in Mood Regulation scale (B-MMR). Students’ experiences of the workshops were measured through three-dimensional (affective, cognitive, and conative) Connotative differential scales (CD-9). Results reveal that student’s workshop experiences have a positive meaning in the semantic space. The differences between students from different universities were not statistically significant. Positive affective- evaluative adjectives (pleasant, attractive, and good) have the most important role in describing experiences. Also, highly engaged music users who regulate different moods through music had a stronger tendency to describe workshops’ experiences with positive affective adjectives. The implications of the results for the future use of the introduction sound play and improvisation in teachers’ music education will be discussed.

Journal of Educational Sciences Theory and PracticeVol. 20(1)
Openalex Percentile: Top 75%
Diverse Music Education Insights
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