Lembro, logo existo: uma leitura de Fazes-me falta, de Inês Pedrosa

This paper presents an overview of the exploration of memory games in the novel Fazes-me falta (2010), by Portuguese author Inês Pedrosa. It is assumed that, between the apparently antagonistic actions of remembering and forgetting, the characters undertake a true journey into themselves, in a dialogical process of seeking self-knowledge and defining the other's place in their lives. In this sense, the emotional bonds of the protagonist couple of the novel's need to be rebuilt and reconfigured in the face of the death of one of them. The alternating voices, sometimes of the woman, sometimes of the man, spell out these discursive attempts that bet on a complementary diversity to the process of remembering and forgetting. To follow this complex path of voices and desires, we use Bakhtin's concept of polyphony (2008), as well as the definitions of memory and forgetting by Bergson (1999), Ricoeur (2007) and Le Goff (2003).

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Publication Details

Journal
Revista Desassossego
Published
2025-09-01
DOI
https://doi.org/10.11606/issn.2175-3180.v17i33p266-285
Primary Topic
Cultural, Media, and Literary Studies
Type
article
Field-Weighted Citation Impact
0.00
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article

Lembro, logo existo: uma leitura de Fazes-me falta, de Inês Pedrosa

Eliade Rose Menezes Ramos de Oliveira, Alessandra Leila Borges Gomes Fernandes
Revista Desassossego
Cultural, Media, and Literary Studies
article

Lembro, logo existo: uma leitura de Fazes-me falta, de Inês Pedrosa

Eliade Rose Menezes Ramos de Oliveira, Alessandra Leila Borges Gomes Fernandes
article en

Abstract

This paper presents an overview of the exploration of memory games in the novel Fazes-me falta (2010), by Portuguese author Inês Pedrosa. It is assumed that, between the apparently antagonistic actions of remembering and forgetting, the characters undertake a true journey into themselves, in a dialogical process of seeking self-knowledge and defining the other's place in their lives. In this sense, the emotional bonds of the protagonist couple of the novel's need to be rebuilt and reconfigured in the face of the death of one of them. The alternating voices, sometimes of the woman, sometimes of the man, spell out these discursive attempts that bet on a complementary diversity to the process of remembering and forgetting. To follow this complex path of voices and desires, we use Bakhtin's concept of polyphony (2008), as well as the definitions of memory and forgetting by Bergson (1999), Ricoeur (2007) and Le Goff (2003).

Revista DesassossegoVol. 17(33)
Universidade Estadual de Feira de Santana (BR), Higher Education Institution Lucia de Brouckère (BE)
Openalex Percentile: Top 77%
Cultural, Media, and Literary Studies
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